DELON, C.--Gutenberg et l’invention de l’Imprimerie. _Paris_, 1881.
DUPONT, P.--Histoire de l’Imprimerie. _Paris_, 1883.
ENCYCLOPÆDIA BRITANNICA.--Typography and Printing. By JOHN SOUTHWARD.
ENTSCHEDE, C.--L. J. Coster de uitvinder van de boekdrukkunst. _Haarlem_, 1904.
FAULMANN, C.--Illustrirte geschichte der Buchdruckerkunst. _Wien_, 1881.
FILLON, B.--Les Faïences d’Oiron. _Paris_, 1862.
FOURNIER, P. S.--Manuel typographique. _Paris_, 1764-66.
GOEBEL, T.--Fr. Koenig und die Erfindung der Schnellpresse. _Stutt._, 1883.
HESSELS, J. H.--Gutenberg. _London_, 1882.
HESSELS, J. H.--Haarlem the birthplace of Printing. _London_, 1887.
JULIEN.--L’Imprimerie en chine au sixième siécle de notre eré. _Paris_, 1850.
LINDE, A. V. D.--Geschichte der Erfindung der Buchdruckerkunst. _Berlin_, 1886.
MAITTAIRE, M.--Annales Typographical. _Hagae_, 1719.
MALINKROT, B. A.--De ortu artis Typographical. _Col. Agripp_, 1639.
MARTENS, W. J.--Gutenberg und die Erfindung der Buchdruckerkunst. _Karlsruhe_, 1900.
MIDDLETON-WAKE, C. H.--The Invention of Printing. _London_, 1897.
MOUET.--Les machines et appareils Typographiques. _Paris_, 1879.
MONNOYER, C.--Recherches sur les origines de l’Imprimerie avant Gutenberg. _Le Mans_, 1888.
NOBLE.--Machine Printing. _London_, 1883.
POLLARD, A. W.--Titlepages and Colophons.
RENAULT, R.--Debuts de l’Imprimerie. _Quebec_, 1905.
SCHAAFER, J. C.--Attempts towards making Paper from Plants and Wood. (German.) _Regensburg_, 1765.
SINGER.--Researches into the History of Playing Cards.
SMITH, G.--Assyrian Discoveries. _London_, 1875.
SOLON, H. L.--History of old French Faïence. (Saint Porchaire.) _London_, 1903.
TAINTURIER, A.--Les Faïences dites de Henri II. _Paris_, 1860.
VITU, A. C.--Histoire de la Typographie. _Paris_, 1886.
WOLFIUS, J. C.--Monumenta Typographica. _Hamburg_, 1740.
WILSON, F. J. F.--Typographic Printing Machines. _London_, 1883.
WILSON, F. J. F.--Stereotyping and Electrotyping. _London_, 1880.
N.B.--There are a large number of works on this subject, both general and concerning Printing in particular countries.
Wood engraving--Line engraving--Etching--Stipple--Mezzotint--Aquatint--Lithography --Photography.
Writing in early manuscripts was continuous, no stops, no spaces, no initials. The inconvenience of such an arrangement soon became apparent; the effect of it can be well seen in the case of the _Codex Alexandrinus_, written in the fifth century, although this has large initials, and the difficulty of knowing when a word ends is bad enough, to say nothing of sentences. The manuscript is at the British Museum.