At Montebello, as also at Passeriano, whither the Austrian negotiations were soon transferred, Bonaparte, though strictly maintaining the ceremonies of his proconsular court, yet showed the warmth of his social instincts. After the receptions of the day and the semi-public dinner, he loved to unbend in the evening. Sometimes, when Josephine formed a party of ladies for _vingt-et-un_, he would withdraw to a corner and indulge in the game of _goose_; and bystanders noted with amusement that his love of success led him to play tricks and cheat in order not to "fall into the pit." At other times, if the conversation languished, he proposed that each person should tell a story; and when no Boccaccio-like facility inspired the company, he sometimes launched out into one of those eerie and thrilling recitals, such as he must often have heard from the _improvisatori_ of his native island. Bourrienne states that Bonaparte's realism required darkness and daggers for the full display of his gifts, and that the climax of his dramatic monologue was not seldom enhanced by the screams of the ladies, a consummation which gratified rather than perturbed the accomplished actor.
A survey of Bonaparte's multifarious activity in Italy enables the reader to realize something of the wonder and awe excited by his achievements. Like an Athena he leaped forth from the Revolution, fully armed for every kind of contest. His mental superiority impressed diplomats as his strategy baffled the Imperialist generals; and now he was to give further proofs of his astuteness by intervening in the internal affairs of France.
In order to understand Bonaparte's share in the _coup d'état_ of Fructidor, we must briefly review the course of political events at Paris. At the time of the installation of the Directory the hope was widely cherished that the Revolution was now entirely a thing of the past. But the unrest of the time was seen in the renewal of the royalist revolts in the west, and in the communistic plot of Babeuf for the overthrow of the whole existing system of private property. The aims of these desperadoes were revealed by an accomplice; the ringleaders were arrested, and after a long trial Babeuf was guillotined and his confederates were transported (May, 1797). The disclosure of these ultra-revolutionary aims shocked not only the bourgeois, but even the peasants who were settled on the confiscated lands of the nobles and clergy. The very class which had given to the events of 1789 their irresistible momentum was now inclined to rest and be thankful; and in this swift revulsion of popular feeling the royalists began to gain ground. The elections for the renewal of a third part of the Councils resulted in large gains for them, and they could therefore somewhat influence the composition of the Directory by electing Barthélemy, a constitutional royalist. Still, he could not overbear the other four regicide Directors, even though one of these, Carnot, also favoured moderate opinions more and more. A crisis therefore rapidly developed between the still Jacobinical Directory and the two legislative Councils, in each of which the royalists, or moderates, had the upper hand. The aim of this majority was to strengthen the royalist elements in France by the repeal of many revolutionary laws. Their man of action was Pichegru, the conqueror of Holland, who, abjuring Jacobinism, now schemed with a club of royalists, which met at Clichy, on the outskirts of Paris. That their intrigues aimed at the restoration of the Bourbons had recently been proved. The French agents in Venice seized the Comte d'Entraigues, the confidante of the _soi-disant_ Louis XVIII.; and his papers, when opened by Bonaparte, Clarke, and Berthier at Montebello, proved that there was a conspiracy in France for the recall of the Bourbons. With characteristic skill, Bonaparte held back these papers from the Directory until he had mastered the difficulties of the situation. As for the count, he released him; and in return for this signal act of clemency, then very unusual towards an _émigré_, he soon became the object of his misrepresentation and slander.