These are times when men have need of the great solitaries; for each man now in his moment is a prey to the conviction that the world and his deepest aspirations are incommensurable. He is shaken by a presentiment that the lovely bodies of men are being spent and flaming human minds put out in a conflict for something which never can be won in the clash of material arms, and he is distraught by a vision of humanity as a child pitifully wandering in a dark wood where the wind faintly echoes the strange word 'Peace.' Therefore he too wanders pitifully like that child, seeking peace, and men are become the symbols of mankind. The tragic paradox of human life which slumbers in the soul in years of peace is awakened again. When we would be solitary and cannot, we are made sensible of the depth and validity of the impulse which moved the solitaries of the past.

The paradox is apparent now on every hand. It appears in the death of the author of _La Formation Réligieuse de J.J. Rousseau_.[1] One of the most distinguished of the younger generation of French scholar-critics, M. Masson met a soldier's death before the book to which he had devoted ten years of his life was published. He had prepared it for the press in the leisure hours of the trenches. There he had communed with the unquiet spirit of the man who once thrilled the heart of Europe by stammering forgotten secrets, and whispered to an age flushed and confident with material triumphs that the battle had been won in vain. Rousseau, rightly understood is no consoling companion for a soldier. What if after all, the true end of man be those hours of plenary beatitude he spent lying at the bottom of the boat on the Lake of Bienne? What if the old truth is valid still, that man is born free but is everywhere in chains? Let us hope that the dead author was not too keenly conscious of the paradox which claimed him for sacrifice. His death would have been bitter.

Aspects of Literature — Part 10

[Footnote 1: _La Formation Réligieuse de Jean-Jacques Rousseau_. Par Pierre Maurice Masson. (Paris: Hachette. Three volumes.)]

Aspects of Literature — Part 10

From his book we can hardly hazard a judgment. His method would speak against it. Jean-Jacques, as he himself knew only too well, is one of the last great men to be catechised historically, for he was inadequate to the life which is composed of the facts of which histories are made. He had no historical sense; and of a man who has no historical sense no real history can be written. Chronology was meaningless to him because he could recognise no sovereignty of time over himself. With him ends were beginnings. In the third _Dialogue_ he tell us--and it is nothing less than the sober truth told by a man who knew himself well--that his works must be read backwards, beginning with the last, by those who would understand him. Indeed, his function was, in a deeper sense than is imagined by those who take the parable called the _Contrat Social_ for a solemn treatise of political philosophy, to give the lie to history. In himself he pitted the eternal against the temporal and grew younger with years. He might be known as the man of the second childhood _par excellence_. To the eye of history the effort of his soul was an effort backwards, because the vision of history is focused only for a perspective of progress. On his after-dinner journey to Diderot at Vincennes, Jean-Jacques saw, with the suddenness of intuition, that that progress, amongst whose convinced and cogent prophets he had lived so long was for him an unsubstantial word. He beheld the soul of man _sub specie æternitatis_. In his vision history and institutions dissolved away. His second childhood had begun.

Aspects of Literature — Part 10