Happiness is a home product. We cannot import it into ourselves, nor by multiplying our pleasures can we come one whit nearer to it. But by being dull, by being slow to perceive, or having perceived to receive, we can, and we often do, succeed in closing the doors of our souls to it. Yet, though it comes not from without, nor is it the sum or product of any pleasures, our soul must sit with doors and windows open to catch if it be but one-millionth of the myriad sweet and beautiful things that stir and shine about us, or else, as in the darkness and stagnation of some closed house, dust and airlessness overlay us. For there is nothing in the world, except only that which the sin and folly of man have wrought, which is not wholesome and innocent. It is our grossness which makes things gross, our rebellion which makes us say that in beauty there lurk any seeds or germs that can ripen into or go to form anything that is not beautiful.
‘O world as God has made it, all is beauty, And knowing this is love, and love is duty: What further can be sought for or declared?’
Seraphina and Francesco, with outside help when they want it, are the domestic staff of Toby’s house. They are engaged to be married, and, in fact, the marriage is going to come off in three months’ time. Domestically speaking, this is an ideal arrangement, because if Seraphina’s work happens on any day to be heavy (she cooks, though I cannot call her a cook) Francesco delights to help her; while, on the other hand, if her work is light, she lends her aid in the cleaning and embellishment of the house, for thus she is with her _promesso_. And in the evening, as often as not, when their work is finished, they stroll and sit in the garden as we do, and with a little encouragement join in our talk, and tell us the strange legends of the saints common to this countryside, or with bated breath speak of the days of the Emperor Tiberius, who still is the bogie of the island, so that a mother even to-day, if a child is troublesome, warns it that Tiberius is coming. High on the eastward end of Capri stand the ruins of one of his palaces; the walls are built to the sheer edge of the precipitous rock, and it was from here that he used to hurl down his victims when he was satiated with them, flinging them headlong, a glimmer of white limbs that turned over and over in the air till they splashed on the rocks three hundred feet below. Round this crag still hovers some poisonous breath of crime; sudden shrieks are heard of nights, so Francesco says, and shadows pace in the shadows. Here, too, that dark soul used to walk up and down in his corridor of mirrors, so that he could see that none came up behind him with the assassin’s knife; weary of life, he yet clung to it with a maniac force; longing for death, he fenced himself from it with a thousand guards. ‘And on us,’ said Francesco, when he told us of these things, with the poet that lurks in the Italian blood suddenly inspiring his tongue--‘on us, signor, those same stars look down that beheld Tiberius. Yet they do not care.’