Such is the story which Xenophon gives of Cyrus's visit to Media, and in its romantic and incredible details it is a specimen of the whole narrative which this author has given of his hero's life. It is not, at the present day, supposed that these, and the many similar stories with which Xenophon's books are filled, are true history. It is not even thought that Xenophon really intended to offer his narrative as history, but rather as an historical romance--a fiction founded on fact, written to amuse the warriors of his times, and to serve as a vehicle for inculcating such principles of philosophy, of morals, and of military science as seemed to him worthy of the attention of his countrymen. The story has no air of reality about it from beginning to end, but only a sort of poetical fitness of one part to another, much more like the contrived coincidences of a romance writer than like the real events and transactions of actual life. A very large portion of the work consists of long discourses on military, moral, and often metaphysical philosophy, made by generals in council, or commanders in conversation with each other when going into battle. The occurrences and incidents out of which these conversations arise always take place just as they are wanted and arrange themselves in a manner to produce the highest dramatic effect; like the stag, the broken ground, and the wild boar in Cyrus's hunting, which came, one after another, to furnish the hero with poetical occasions for displaying his juvenile bravery, and to produce the most picturesque and poetical grouping of incidents and events. Xenophon too, like other writers of romances, makes his hero a model of military virtue and magnanimity, according to the ideas of the times. He displays superhuman sagacity in circumventing his foes, he performs prodigies of valor, he forms the most sentimental attachments, and receives with a romantic confidence the adhesions of men who come over to his side from the enemy, and who, being traitors to old friends, would seem to be only worthy of suspicion and distrust in being received by new ones. Every thing, however, results well; all whom he confides in prove worthy; all whom he distrusts prove base. All his friends are generous and noble, and all his enemies treacherous and cruel. Every prediction which he makes is verified, and all his enterprises succeed; or if, in any respect, there occurs a partial failure, the incident is always of such a character as to heighten the impression which is made by the final and triumphant success.