Besides his apartments in the royal palace, Velazquez had later a private house in the Calle de Concepcion Geronima. Velazquez was now at the zenith of his fame, the cynosure of an art circle, the acknowledged master of an enthusiastic following, the favourite of royalty, and the friend of _grandes_. “A taste for the arts, an intelligent appreciation and discussion of art topics, had at that time already become a matter of tradition in Madrid,” writes Professor Carl Justi in his “Diego Velazquez and His Times.”

The first painting of Velazquez seen by the people of Madrid was exhibited upon the door of the Church of San Felipe in the Calle Mayor. His progress from that hour was victorious, though he had to encounter the envy of the Italian painters who were then employed by Philip. Carducci speaks of “the detestable naturalism” of the new court painter.

Madrid — Part 32

In 1628, Velazquez met Rubens at Madrid. Next year he went to Italy, and upon his return to Spain, he worked with extraordinary industry upon royal portraits and historical scenes for the regal palaces.

Madrid — Part 32

In 1636, Diego Velazquez was appointed Wardrobe-Assistant to the King and Minister of Fine Arts. But the greatest honour was accorded to the painter in 1659, when he received the Cross of Santiago, the highest order of Spain. Two years after, Velazquez died at Madrid of a fever, which he had contracted through over-exertion in the conduct of an expedition in the north of Spain, when Philip met the King of France.

Madrid — Part 32

The masterpieces of Velazquez are stored in a fine _sala_ at the Museo del Prado[1] in Madrid. “Las Meninas,” a work proclaimed by many artists and art critics as the finest painting in the world, is in this priceless collection. Artists from every country have regarded the Prado Gallery as a Mecca. Wilkie came to Madrid, and spent long hours gazing at the paintings of Velazquez. John Philips modelled his style on Velazquez, and Manet, Furse, Sargent, Whistler, and Sir Frederick Leighton are among the pilgrims to the Prado. It was probably the painting of “Las Meninas” which gained for Velazquez the Order of Santiago.

[1] For a full description of the pictures in this museum, see “The Prado,” an illustrated volume in this series.