[Illustration: THE RATTRAY HEAD LIGHTHOUSE.
A very exposed Scottish rock tower. It is unique because a full-powered siren fog-signal is installed therein.]
Each signal is mounted in a domed house built of concrete, the mouth of the trumpet extending from the crown of the roof. Within the house is an air-receiver 9 feet in height by 4½ feet in diameter, of about 140 cubic feet capacity, which receives the compressed air transmitted through the piping from the compressing-station. It also contains the automatic apparatus whereby the signal is brought into action at the stipulated intervals, so as to produce the requisite sound characteristic. This is a self-winding clockwork mechanism which admits and cuts off the supply of air to the trumpets, its chief feature being that the clock is wound up by the compressed air itself, so that it is entirely free from human control. However, as a breakdown even with the best-designed and most-carefully-tended machinery cannot be circumvented entirely, there is a duplicate electrical mechanism, also automatically controlled from the power-generating station, the electric cables for which are laid in the pipe trenches. This acts as an emergency control.
_By courtesy of Messrs. D. and C. Stevenson._
A lonely light of Scotland. The nearest land is the Butt of Lewis, 30 miles distant.]
The two signals are not sounded simultaneously; neither are they alike nor of the same tone. The north signal gives a single blast of high tone, lasting five seconds, and then is silent for 175 seconds. On the south side the siren gives a double note, although there are three blasts--viz., high, low, high--corresponding to the letter R of the Morse code. The notes are sounded for two seconds, with similar intervening periods of silence, and silence for 170 seconds between the groups. The complete signal from the two stations is given once in three minutes, the north signal commencing to sound ninety seconds after the south signal has ceased. The high note corresponds to the fourth E in the musical compass, there being 38,400 vibrations per minute; while the low note is tuned to the third D in the musical compass, with 16,800 vibrations per minute. The notes are purposely timed more than an octave apart and made discordant, as thereby the sound is more likely to attract attention and to be readily distinguished.