The use of satirical language and cartoons in the media is relatively new in most African countries, and began with the print publication of small cartoon strips featuring caricatures depicting a particular part of the population for comic effect. Often, satirical newspapers are a reflection of the state of political affairs in their countries, where politicians never seem to shy away from shameless actions and where dishonesty is the rule rather than the exception. Satirical language In an analysis for the site cairn.info, Yacouba Konaté describes the mixture of Molière's French with the local dialects in Côte d’Ivoire where the direct translation from one to the other gives expressions and phrases that are incomprehensible outside their geographical context: Le français populaire ivoirien dit « français de Moussa », « de Dago » ou « de Zézé » (héros de bandes dessinées dans l’hebdomadaire Ivoire Dimanche), accélère son déploiement durant les années 1970, celles de la croissance ivoirienne qui supporta l’appellation merveilleuse de « miracle ivoirien ». Sa promotion bénéficia de l’appui de la télévision où, pendant des années, le dimanche ouvrit de larges plages horaires à Toto et Dago. In Gabon, a similar method of speech has gained acclaim by becoming a way of exposing corruption and social criticism. A selection of words taken from Raponda-Walker's book on the language is presented by Falila Gbadamassi on the website afrik.com: Le “bongo CFA”, désigne la monnaie gabonaise qui était autrefois à l’effigie du défunt président Omar Bongo. Le terme se rapporte aussi à l’argent distribué pendant les déplacements du Président ou les campagnes électorales. …. [“mange-mille”] est un « jeu de mots construit sur mange-mil (nom d’oiseau) et désignant le policier ou le gendarme en raison des billets de 1000 francs (FCA, ndlr) qu’ils réclament souvent aux usagers de la route. Et des “Chine en deuil” ? Ce sont des « chaussures noires en tissu souple de fabrication chinoise ou asiatique introduites au Gabon après la mort de Mao Ze Dong », …. Un “dos-mouillé”, lui, est un immigré clandestin originaire d’Afrique de l’Ouest qui arrive au Gabon par la mer. Election results confirmed by Ali Bongo: a TOTAL victory! I would like to thank my sponsor… A caricature of Bongo by Hub via Agora Vox, used with permission In both Gabon and Côte d’Ivoire this type of French is used in everyday life in the same way as all other languages, without any derogatory meaning or humourous intent, but when it appears in publications or on TV it serves for social and political critique, with the singular ability to make an otherwise unfunny drawing make people laugh. The textual content is paramount. Cartoon emergence Cartoon drawings, or comics, were developed later only, as and when authoritarian regimes relaxed their grip on freedom of expression. In an article published on waccglobal.org, Gado wrote a retrospective history of cartoons [en] in African countries: With the introduction of multi-party politics in most African countries during the 1990s, cartooning emerged as a growing profession. This does not mean that it was not around before then. In the 1960s there were pioneers like Gregory (Tanzania) with his popular Chakibanga cartoon and the Juha Kalulu strip by Edward Gitau, the oldest living cartoonist in East and Central Africa. Political changes brought greater freedom of expression as well as of the press. This has injected new life into newspapers, magazines and the publishing industry generally. Arrest warrant for Omar El-Bechir. Disquiet among African heads of state. We are victims of crimes against immunity! A caricature of the African heads of state by Dilem via Zoom Algérie (used with permission) To mark the 2011 International Festival of Cartoons and Illustration, which took place in Ouagadougou, Burkina Faso, Damien Glez's article published on africandiplomacy.com entitled “Newspaper Cartoonist: a Profession under Pressure(s)” discusses the risks and difficulties involved in being a satirical cartoonist: Moins assassinés, les dessinateurs ne sont pas totalement immunisés. Au Cameroun, le caricaturiste-vedette Nyemb Popoli a eu maintes fois maille à partir avec le régime de Paul Biya. A la fin des années 80, dans le Bénin du «marxisme-béninisme», le dessinateur Hector Sonon voyait ses dessins systématiquement passés à la moulinette du comité de censure du ministère de l'Intérieur. Le Sud-Africain Jonathan Shapiro, alias Zapiro, fut détenu par les autorités en 1988. Non loin, au Zimbabwe, le dessinateur Tony Namate joue au chat et à la souris avec les autorités.