Such absolute power in the present, with such uncertain future, is above all things dangerous to heady natures. The Malatestas grew mad sometimes with their unrestrained indulgence, mad with cruelty and wild debauch; but we repeat they were not merely vicious. They were strong, cunning, brave unto death, ambitious; they knew how to make their subjects love them; they left their little seaside village a monument of art, and made their few miles of plain a power in Italy.
In 1427 there was no lawful heir to this long-enriched possession. Carlo Malatesta, twice married, lived in childish state at Rimini: Pandolfo of Fano, dying in 1427, left no heir from his three brides; but, in bequeathing to his brother Carlo his estate of Fano, he also sent to him three natural children, still young boys, for whom both uncle and father had in vain attempted to obtain a bull of legitimation. Powerful enemies stood in their path. By excluding these children, Malatesta of Pesaro on the one hand, and Frederic of Urbino on the other, hoped to succeed to Rimini and Fano; and for long they persuaded the Pope to their own interests. But Carlo Malatesta was not easily thwarted.
This Carlo was in many ways the most honourable of his race; a righteous, moral, pious soldier and captain, much such another as those who saved England under Cromwell. It is recorded of him that, entering Mantua in triumph on the morning of Virgil’s birthday, he found the great irregular square there full of revellers, dancing and singing and crowning with wreaths of flowers the statue of the poet. Whereat, incensed at such worship paid to a vain heathen idol, he led up his soldiers to the pedestal and bade them throw the statue into the Mincio; which being done, or reported to be done, such a chorus of blame and indignation rose throughout the humanistic Hellenist Italy of that day as not one of the orgies, crimes, brutalities, and lusts of Carlo’s kinsmen had ever wakened. All this gave little discomfiture to Carlo, himself in his way a connoisseur of art and letters, and the first patron of the young Ghiberti, whom he employed to decorate the Gattolo at Rimini. Seldom indeed was Rimini so enviable as during the long and prosperous reign of Carlo. But in 1429 Carlo died.