The people of Madrid have every reason to respect Charles III. To his initiation they owe the fine Customs’ House, the Prado Gallery, the General Hospital, the Alcalá Gateway, the Observatory, the Botanical Gardens, and the Natural History Library. These and other institutions and public buildings were established and erected during the reign of this excellent king.
The history of Madrid becomes merged in that of the kingdom. The lead taken on the “Dos de Mayo,” 1808, when the Puerta del Sol and the adjoining streets were held with dauntless but futile courage by the people of Madrid against the French, was the signal for the uprising of the whole country against the intruder. The capital had well deserved its headship by its vindication of the nation’s dignity and independence. Every episode in its troubled history since that memorable day has been described vividly and inimitably by the great epic novelist, Galdós. Throughout the nineteenth century, the city had its full share in the vicissitudes and discord, which so happily terminated with the accession of King Alfonso XII. and the establishment of the strongest and most enlightened government Spain had known for centuries.
The Chevalier de Bourgoanne, who recounted his “Travels in Spain” in 1789, said that Madrid contained at that time eighteen parishes, thirty-five monasteries, thirty-one convents, thirty-nine colleges, fifteen gates, and about 140,000 inhabitants. The number of inhabitants now approaches 600,000. Since the eighteenth century Madrid has extended its confines on all sides, and grown into a modern city of the first rank.
The walls, never a very formidable defence, were taken down in 1868 to enlarge Madrid. At this time the new Plaza de Toros was erected, the Puerta del Sol widened, and the viaduct built across the Calle de Segovia. The streets are now well paved with stone or asphalte, and illuminated with gas and electric light. The chief market is in the Plaza de la Cebada, built in 1870.
In several of the squares and promenades there are fountains, statues, and monuments. One of the finest of the monuments is that erected in memory of the heroes of the Dos de Mayo (the Second of May). It is of granite, in the shape of an obelisk, surrounded by symbolical figures. This monument was designed by Isidro Velazquez. A marble group in front of one of the façades of the Museo del Prado represents Daoiz and Velarde, the gallant artillery officers who fell on that occasion in defence of the throne and country.