As I rode back toward the river, I saw again the boy clad in the rope of plaited grass, and again he said, less shyly, “May your day be happy!” It was a kindly wish. In the dawn I had felt it to be almost a prophecy. But now I was haunted by the face of the goddess of Denderah, and I remembered the legend of the lovely Laïs, who, when she began to age, covered herself from the eyes of men with a veil, and went every day at evening to look upon her statue, in which the genius of Praxiteles had rendered permanent the beauty the woman could not keep. One evening, hanging to the statue’s pedestal by a garland of red roses, the sculptor found a mirror, upon the polished disk of which were traced these words:

“Laïs, O Goddess, consecrates to thee her mirror: no longer able to see there what she was, she will not see there what she has become.”

Egypt and its Monuments — Part 17

My Hathor of Denderah, the sad-eyed dweller on the column in the first hall, had she a mirror, would surely hang it, as Laïs hung hers, at the foot of the pedestal of the Egyptian Aphrodite; had she a veil, would surely cover the face that, solitary among the cruel evidences of Christian ferocity, silently says to the gloomy courts, to the shining desert and the Nile:

Egypt and its Monuments — Part 17

“Once I was worshiped, but I am worshiped no longer.”

Egypt and its Monuments — Part 17

Buildings have personalities. Some fascinate as beautiful women fascinate; some charm as a child may charm, naïvely, simply, but irresistibly. Some, like conquerors, men of blood and iron, without bowels of mercy, pitiless and determined, strike awe to the soul, mingled with the almost gasping admiration that power wakes in man. Some bring a sense of heavenly peace to the heart. Some, like certain temples of the Greeks, by their immense dignity, speak to the nature almost as music speaks, and change anxiety to trust. Some tug at the hidden chords of romance and rouse a trembling response. Some seem to be mingling their tears with the tears of the dead; some their laughter with the laughter of the living. The traveler, sailing up the Nile, holds intercourse with many of these different personalities. He is sad, perhaps, as I was with Denderah; dreams in the sun with Abydos; muses with Luxor beneath the little, tapering minaret whence the call to prayer drops down to be answered by the angelus bell; falls into a reverie in