“He { Browning} was, we may suppose, offended by Strauss’s ruthless attack on much that mankind has held sacred for ages. His religious sense was revolted by the assumption that there was nothing in Christianity which could survive the destruction of the miraculous and supernatural elements in its history. He desired to represent Christianity as an entirely spiritual religion, independent of external, material agencies. In order to make his argument as powerful as possible, he chose for his mouth-piece one of the personal followers of Christ, on whom, it might be supposed, the actual human life of his master had made a permanent and lively impression. With the details of Biblical criticism he had nothing to do; his principles were unaffected by discussions about the authenticity of the various parts of Gospels; so, in defiance of Strauss, the disciple he chose was that very John, whose personality, as recognized by long tradition, had been so much discredited. He showed how even in one of the disciples the recollection of wonders and signs could be transcended, and at last obliterated, by a spiritual faith which was sustained by the needs and faculties of the soul. The poem is, in effect, an eloquent protest in defence of ‘the breath and finer spirit of all knowledge’.”

From Mrs. M. G. Glazebrook’s paper on ‘A Death in the Desert’, read before the London Browning Society.

Introduction to Robert Browning — Part 209

A LIST OF CRITICISMS OF BROWNING’S WORKS.

Introduction to Robert Browning — Part 209

(Selected from Dr. Frederick J. Furnivall’s ‘Bibliography of Robert Browning’, contained in ‘The Browning Society’s Papers’, Part I., with additions in Part II.)

Introduction to Robert Browning — Part 209

1833. The Monthly Mag., N. S., V. 7, pp. 254-262: Review of ‘Pauline’, by W. J. Fox.

1835. The Examiner, Sept. 6, pp. 563-565: on ‘Paracelsus’, by John Forster.

1835. Monthly Repository, Nov., pp. 716-727: Review of ‘Paracelsus’, by W. J. Fox.

1836. New Monthly Mag., March, Vol. 46, pp. 289-308: ‘Evidences of a New Genius for Dramatic Poetry.--No. 1.’ On ‘Paracelsus’, by John Forster.

1837. Edinburgh Rev., July, Vol. 66, pp. 132-151: ‘Strafford’.

1848. N. A. Rev., April, Vol. 66, pp. 357-400: B.’s ‘Plays and Poems’, by James Russell Lowell.

1849. Eclectic Rev., London, 4th S. V. 26, pp. 203-214: on 1. the ‘Poems’, 2 vols. 1849, and 2. ‘Sordello’, 1840. A sympathetic and excellent review.