La Fontaine found himself mixed up in another not less animated Academical quarrel, one in which his opponents did not display so great an absence of courtesy. I refer to the controversy between the ancient and modern schools, which was revived in full Academy by Christopher Perrault. Boileau was as eager in the matter as Racine. La Fontaine enrolled himself in their ranks, with less of partisanship, but equal decision. Thus, the three best instances that the panegyrist of the moderns could have employed in support of his position, were found ranged against him. The turn which the dispute took is singular indeed. Those who were really the rivals of antiquity declared themselves in its favour, while writers of mediocrity, who had much less personal interest in the question than they themselves imagined, proclaimed with fervour the superiority of the moderns. Saint-Sorlin had begun the battle. On Perrault's signal the weapons were snatched up once more, and Lamotte-Houdard continued the war. Strange champions of progress in letters! whom the absurdity of the contrast between their pretensions on behalf of their school and the little merits of themselves, its examples, have almost alone saved from oblivion. In fact, the only thing which remains of the least interest in the bulky files of this controversy is our poet's admirable epistle to the learned Huet, at the time Bishop of Soissons.

As long as La Fontaine was under the watchful eye of Madame de la Sablière, he was guilty of nothing worse than mere peccadilloes; but as soon as she had closed her saloon--having been abandoned by the Marquis de la Fare--and had given herself up to the practice of the most austere devotion, the old infant, whom she had left without a guardian, took advantage of his independence precisely as any school-boy might have done. The princes of the house of Vendôme, who amused themselves in the Temple like real Templars, invited him to their festivals, and led him on by their example. Fresh seductions enticed him to an improper indulgence in pleasures suited only to a time of life far different from his own. It is sad to have to record these weaknesses on the part of our poet, but we have, at least, the consolation of knowing that they were expiated by a most sincere repentance.

The Fables of La Fontaine — Part 15