On her return to New York, Miss Hall again appeared at the Bijou, on May 6, 1884, as Hasson in a revival of "Blue Beard," following this with another road experience that lasted until July. In August she began an engagement at Niblo's Garden, New York, as Loresoul in Poole and Gilmour's spectacular production of "The Seven Ravens." The part was a singing one, and Miss Hall added considerably to her popularity among the frequenters of the burlesque shows that were so largely patronized in those days. In February, 1885, Miss Hall was in the title rôle of "Ixion" at the Comedy Theatre, New York, though only for a short time, and on April 4 she made her first appearance in a German speaking part, singing Prince Orloffsky in "Die Fiedermaus" at the Thalia Theatre.
On May 25 Miss Hall opened with Nat C. Goodwin at the Park Theatre, Boston, and created the character of Oberon in the travesty "Bottom's Dream." This was a failure, and in a few weeks Miss Hall returned to New York, where she signed with Rudolph Aronson of the Casino, making her first appearance as Ninon de l'Enclos in the English presentation of "Nanon." She did well with the part, and further increased the favorable impression that she had made by her Angelo in "Amorita" and her Saffi in "The Gipsy Baron." Next came "Erminie," which achieved a success as yet unequalled by any light opera in this country unless it be "Robin Hood." The successor to "Erminie" was "Nadjy," also a famous hit, in which, however, Miss Hall's part of the Princess Etelka was overshadowed by the character of Nadjy, the dancer, so captivatingly played by Marie Jansen in the original production. After "Nadjy" came "The Drum Major," which failed, however, to make any lasting impression.
After leaving the Casino Miss Hall began her career as a star, appearing in "Puritania." This was followed the next year by "Amorita" and "Madame Favart," while "Puritania" was retained in her repertory. The season succeeding she brought out "The Honeymooners." During 1894-95 her operas were "La Belle Hélène," a revival of "The Chimes of Normandy," and "Dorcas." She then retired from the stage for a while, and afterward appeared in vaudeville until she joined Francis Wilson.