Mr. Brownlow had one son and one daughter--the boy, a very good natured, easy-minded, honest sort of young fellow, approaching twenty-one, and not made much account of either at home or abroad. The daughter was Sara. For people who know her, or indeed who are at all acquainted with society in Dartfordshire, it is unnecessary to say more; but perhaps the general public may prefer a clearer description. She was the queen of John Brownlow’s house, and the apple of his eye. At the period of which we speak she was between nineteen and twenty, just emerging from what had always been considered a delicate girlhood, into the full early bloom of woman. She had too much character, too much nonsense, too many wiles, and too much simplicity in her, to be, strictly speaking, beautiful; and she was not good enough or gentle enough to be lovely. And neither was she beloved by all, as a heroine ought to be. There were some people who did not like her, as well as some who did, and there were a great many who fluctuated between love and dislike, and were sometimes fond of her, and sometimes affronted with her; which, indeed, was a very common state of mind with herself. Sara was so much a girl of her age that she had even the hair of the period, as the spring flowers have the colors of spring. It was light-brown, with a golden tint, and abundant as locks of that color generally are; but it can not be denied that it was darker than the fashionable shade, and that Sara was not above being annoyed by this fact, nor even above a vague and shadowy idea of doing something to bring it to the correct tint; which may rank as one of the constantly recurring proofs that young women are in fact the least vain portion of the creation, and have less faith in the efficacy of their natural charms than any other section of the race. She had a little rosebud mouth, dewy and pearly, and full eyes, which were blue, or gray, or hazel, according as you looked at them, and according to the sentiment they might happen to express. She was very tall, very slight and flexible, and wavy like a tall lily, with the slightest variable stoop in her pretty shoulders, for which her life had been rendered miserable by many well-meaning persons, but which in reality was one of her charms. To say that she stooped is an ugly expression, and there was nothing ugly about Sara. It was rather that by times her head drooped a little, like the aforesaid lily swayed by the softest of visionary breezes. This, however, was the only thing lily-like or angelic about her. She was not a model of any thing, nor noted for any special virtues. She was Sara. That was about all that could be said for her; and it is to be hoped that she may be able to evidence what little bits of good there were in her during the course of this history, for herself.