Again, in the home fighting days there was less art away from the home. Rugged wastes and hills; vast woodland districts near London; even small houses moated to keep the cattle from wolves--fear of the rough hills and woods! In those days an extension of the decorative work of the house into the garden had some novelty to carry it off, while the kinds of cultivated trees and shrubs were few. Hence if the old gardeners wanted an evergreen line, hedge, or bush of a certain height, they clipped an evergreen tree into the size they wanted. Notwithstanding this we have no evidence that anything like the geometrical monotony often seen in our own time existed then. To-day the ever-growing city, pushing its hard face over the once beautiful land, should make us wish more and more to keep such beauty of the earth as may be still possible to us. The horror of railway embankments, where were once the beautiful suburbs of London, cries to us to save all we can save of the natural beauty of the earth.

It is surely flying in the face of Nature to fill our gardens with tropical plants, as we are urged to do by the writers on landscape gardening, ignoring the entire difference of climate and the fact that a colour which may look superb in the midst of other strong colours will look gaudy and vulgar amongst our sober tints, and that a leaf like that of the Yucca, which may be all very well in its own country, _is out of scale and character_ amidst the modest foliage of our English trees. (_The Formal Garden._)

Garden Design and Architects' Gardens — Part 10

A passage full of nonsense! The true use and first reason of a garden is to keep and grow for us plants _not_ in our woods and mostly from other countries than our own! The Yucca, we are told by the authors, is a "plant out of scale and character among the modest foliage of our English trees"! The Yuccas of our gardens are natives of the often cold plains of Eastern America, hardy in, and in every way fitted for, English gardens, but _not_ amidst English trees. Is the aim of the flower-garden to show the "modest foliage" of English trees when almost every country house is surrounded by our native woods? According to such childish views, the noble Cedars in the park at Goodwood and on the lawn at Pain's Hill are out of place there! What is declared by Mr. Blomfield to be absurd is the soul of true gardening--to show, on a small scale it may be, some of the precious and inexhaustible loveliness of vegetation on plain or wood or mountain. This is the necessary and absolutely only true, just and fair use of a garden!

Garden Design and Architects' Gardens — Part 10