"I don't see what good it will do," Olive said.
"How can we tell till we try? I never give a thing up till I have turned it over in every sense."
It was Mrs. Burrage, however, who did most of the talking; Olive only inserted from time to time an inquiry, a protest, a correction, an ejaculation tinged with irony. None of these things checked or diverted her hostess; Olive saw more and more that she wished to please her, to win her over, to smooth matters down, to place them in a new and original light. She was very clever and (little by little Olive said to herself) absolutely unscrupulous, but she didn't think she was clever enough for what she had undertaken. This was neither more nor less, in the first place, than to persuade Miss Chancellor that she and her son were consumed with sympathy for the movement to which Miss Chancellor had dedicated her life. But how could Olive believe that, when she saw the type to which Mrs. Burrage belonged--a type into which nature herself had inserted a face turned in the very opposite way from all earnest and improving things? People like Mrs. Burrage lived and fattened on abuses, prejudices, privileges, on the petrified, cruel fashions of the past. It must be added, however, that if her hostess was a humbug, Olive had never met one who provoked her less; she was such a brilliant, genial, artistic one, with such a recklessness of perfidy, such a willingness to bribe you if she couldn't deceive you. She seemed to be offering Olive all the kingdoms of the earth if she would only exert herself to bring about a state of feeling on Verena Tarrant's part which would lead the girl to accept Henry Burrage.
"We know it's you--the whole business; that you can do what you please. You could decide it to-morrow with a word."
She had hesitated at first, and spoken of her hesitation, and it might have appeared that she would need all her courage to say to Olive, that way, face to face, that Verena was in such subjection to her. But she didn't look afraid; she only looked as if it were an infinite pity Miss Chancellor couldn't understand what immense advantages and rewards there would be for her in striking an alliance with the house of Burrage. Olive was so impressed with this, so occupied, even, in wondering what these mystic benefits might be, and whether after all there might not be a protection in them (from something worse), a fund of some sort that she and Verena might convert to a large use, setting aside the mother and son when once they had got what they had to give--she was so arrested with the vague daze of this vision, the sense of Mrs. Burrage's full hands, her eagerness, her thinking it worth while to flatter and conciliate, whatever her pretexts and pretensions might be, that she was almost insensible, for the time, to the strangeness of such a woman's coming round to a positive desire for a connexion with the Tarrants. Mrs. Burrage had indeed explained this partly by saying that her son's condition was wearing her out, and that she would enter into anything that would make him happier, make him better. She was fonder of him than of the whole world beside, and it was an anguish to her to see him yearning for Miss Tarrant only to lose her. She made that charge about Olive's power in the matter in such a way that it seemed at the same time a tribute to her force of character.