For the first fortnight my note-book is full of the fox-colored sparrows. It was worth while to have come into the country ahead of time, as city people reckon, to get my fill of this Northern songster's music. Morning and night, wherever I walked, and even if I remained in-doors, I was certain to hear the loud and beautiful strain; to which I listened with the more attention because the birds, I knew, would soon be off for their native fields, beyond the boundaries of the United States.

It is astonishing how gloriously birds may sing, and yet pass unregarded. We read of nightingales and skylarks with a self-satisfied thrill of second-hand enthusiasm, and meanwhile our native songsters, even the best of them, are piping unheeded at our very doors. There may have been half a dozen of the town's people who noticed the presence of these fox sparrows, but I think it doubtful; and yet the birds, the largest, handsomest, and most musical of all our many sparrows, were, as I say, abundant everywhere, and in full voice.

Birds in the Bush — Part 90

One afternoon I stood still while a fox sparrow and a song sparrow sang alternately on either side of me, both exceptionally good vocalists, and each doing his best. The songs were of about equal length, and as far as theme was concerned were not a little alike; but the fox sparrow's tone was both louder and more mellow than the other's, while his notes were longer,--more sustained,--and his voice was "carried" from one pitch to another. On the whole, I had no hesitation about giving him the palm; but I am bound to say that his rival was a worthy competitor. In some respects, indeed, the latter was the more interesting singer of the two. His opening measure of three _pips_ was succeeded by a trill of quite peculiar brilliancy and perfection; and when the other bird had ceased he suddenly took a lower perch, and began to rehearse an altogether different tune in a voice not more than half as loud as what he had been using; after which, as if to cap the climax, he several times followed the tune with a detached phrase or two in a still fainter voice. This last was pretty certainly an improvised cadenza, such a thing as I do not remember ever to have heard before from _Melospiza melodia_.

Birds in the Bush — Part 90