Of the lake, hermitage, and boathouse we have already spoken. The long, or rather semicircular, glazed building is now finished for the Monkeys, as is an adjoining house for large birds of prey: here we should notice a fine Ruppell Vulture, from Senegal, (named after Major Ruppell, the celebrated traveller in Africa,) a chanting Falcon from Brazil, and a white Hawk, from New Holland, the latter especially rare in this country.

Among the improvements we ought not to omit the affixing of the scientific and popular names to the abodes of the respective animals. This is one of the beneficial results of the honorary aid of Messrs. Swainson and Gray, the distinguished zoologists.

The Mirror of Literature, Amusement, and Instruction — Part 3

By the way, there has been in these grounds a Fancy Fair with the laudable object of aiding the funds for the repair of the Ladye Chapel of St. Saviour's Southwark. We anxiously hope the _faire ladyes_ were successful in their appeal to the fancy of their visiters.

The Mirror of Literature, Amusement, and Instruction — Part 3

Having observed in several papers and periodicals, (amongst which is _The Mirror_, No. 553,) sketches of "the late Mr. Colton," and none of these tending, in my opinion, to convey a correct idea of the character of this extraordinary man; allow me to offer you a slight sketch of the latter period of his life.

The Mirror of Literature, Amusement, and Instruction — Part 3

I am aware I shall be met by many with the squeamish proverb, _De mortuis nil nisi bonum_; though I am not disposed at this moment to enter on a discussion of the merits of this received axiom. Shakspeare tells us "The evil that men do, lives after them."

Mr. Colton, or as he was vulgarly called, Parson Colton, arrived in Paris in the year 1825 or 1826, from America, to which country he sailed from England shortly previous to the murder of Weare. He was at that time in possession of very little money; this small stock he increased by borrowing upon the security of some valuable jewellery which he took out from his creditors in this country. With this sum he commenced his career as player at the public gaming-tables in Paris, more particularly that at 154 in the Palais Royal. The system upon which he played was at once bold and original, and attended with great success. I have good authority (his own) for stating, he was at one period a winner of upwards of £10,000. He subsequently lost nearly half this sum, and he expended the remainder in paintings by the ancient masters, of which, in the year 1828, he had a splendid collection. These pictures he intended for the English market; but in the latter part of the same year, he became unfortunate at the gambling tables, and they were parted with by degress, the proceeds lost, and their late owner, in a short time, reduced to beggary, or nearly so. His last literary labour, if it is worthy of the name, was a history of the Three Days of July, published by Galignani.