**The Morett Portrait. [Plate 29.] Oils. Dresden Gallery. (Long believed to be a triumph of Leonardo da Vinci's art, and the portrait of Ludovico Sforza, "Il Moro." At one time held to be Henry Brandon, Duke of Suffolk. Afterwards "established" and catalogued as Hubert Morett, goldsmith to King Henry VIII. Following M. Larpent's suggestion, however, it is now supposed to be the portrait of Charles Solier, Sieur de Morette. But as to this the last word may yet remain to be said. The drawing which the majority of authorities hold to be the study for this painting now hangs near it.)
** Miniature portrait of Henry Brandon, son of the Duke of Suffolk. Windsor Castle.
Title-page used in Coverdale's Bible. Woodcut.
Q. Jane Seymour. [Plate 30.] Oils. Imperial Gallery, Vienna.
** Portrait of Erasmus, full length, in scholar's robes, with his hand on the head of the god Terminus. Woodcut. Frontispiece to Hieronymus Froben's edition of Erasmus's Works, published in 1540. (Commonly known as "Erasmus in a surround," or niche.)
Fragment of the Cartoon [Plate 31] used for the four royal portraits in the wall-painting at Whitehall. The fragment shows only the figures of King Henry VIII. and his father. Hardwick Hall. (Remigius van Leemput's copy of the wall-painting shows that the position of the King's head was changed, in the completed work, to the full-face view so familiar in the oil-painting at Windsor Castle. The latter is one of the many copies of Holbein's original portrait of Henry VIII. which long passed muster as genuine _Holbeins_.)
** Portrait study of the face of King Henry VIII. [Plate 32.] Chalk Drawing. Royal Print Cabinet, Munich. (Probably the Life-study for the Whitehall painting. If nothing else remained, this mask alone would incontestably rank Holbein among the Masters of all time. To the writer's thinking, at any rate, it stands among the very few works of art which it would be difficult to match, and impossible to surpass in its own colossal qualities.)
** Design for "the Jane Seymour Cup." [Plate 33.] Bodleian Library.
** Christina of Denmark, Duchess of Milan. [Plate 34.] Oils. National Gallery; lent from Arundel Castle.
Edward VI., when infant Prince of Wales. Oils. Hanover Gallery, and Lord Yarborough's Collection.