One may walk or sit at will in S. Mark's as long as one wishes, free and unharassed; but a ticket is required for the galleries and a ticket for the choir and treasury; and the Baptistery and Zeno chapel can be entered only by grace of a loafer with a key who expects something in return for opening it. The history of this loafer's privilege I have not obtained, and it would be interesting to learn by what authority he is there, for he has no uniform and he accepts any sum you give him. If all the hangers-on of the Roman Catholic Church, in Italy alone, who perform these parasitical functions and stand between man and God, could be gathered together, what a huge and horrible army it would be!

The heart of Venice--Old-fashioned music--Teutonic invaders--The honeymooners--True republicanism--A city of the poor--The black shawls--A brief triumph--Red hair--A band-night incident--The pigeons of the Piazza--The two Procuratie--A royal palace--The shopkeepers--Florian's--Great names--Venetian restaurants--Little fish--The old campanile--A noble resolve--The new campanile--The angel vane--The rival campanili--The welcome lift--The bells--Venice from the Campanile.

A Wanderer in Venice — Part 23

S. Mark's Square, or the Piazza, is more than the centre of Venice: to a large extent it is Venice. Good Venetians when they die flit evermore among its arcades.

A Wanderer in Venice — Part 23

No other city has so representative a heart. On the four musical nights here--afternoons in the winter--the Piazza draws like a magnet. That every stranger is here, you may be sure, and most Venetian men. Some sit outside Florian's and the other cafés; others walk round and round the bandstand; others pause fascinated beside the musicians. And so it has been for centuries, and will be. New ideas and fashions come slowly into this city, where one does quite naturally what one's father and grandfather did; and a good instance of such contented conservatism is to be found in the music offered to these contented crowds, for they are still true to Verdi, Wagner, and Rossini, and with reluctance are experiments made among the newer men.

A Wanderer in Venice — Part 23

In the daytime the population of the Piazza is more foreign than Venetian. In fact the only Venetians to be seen are waiters, photographers, and guides, the knots of errand boys watching the artists, and, I might add, the pigeons. But at night Venice claims it, although the foreigner is there too. It is amusing to sit at a table on the outside edge of Florian's great quadrangle of chairs and watch the nationalities, the Venetians, the Germans, the Austrians, and the Anglo-Saxons, as they move steadily round and round. Venice is, of course, the paradise both of Germans and Austrians. Every day in the spring and summer one or two steamers arrive from Trieste packed with Austrian tourists awfully arrayed. Some hundreds have to return to Trieste at 2 o'clock; other hundreds remain till night. The beautiful word Venezia, which we cheapen but not too cruelly to Venice and the French soften to Venise, is alas! to Teutonic tongues Venedig.