[Footnote 3: _Welche sich objectivirt._ See note above.]
[Footnote 4: The present, that is, which is objective to sense.]
[Footnote 5: _So löst sich das Ideal in seine Momente auf._ According to this it would appear that the process is wholly identified with the system of the particular arts. But the universal world-presentments are surely equally a process or at least an abstract of such a process. And this is in fact affirmed lower down.]
[Footnote 6: A favourite metaphor of Hegel. The idea is that the metal is all one infusion producing a result that is like the appearance of Athene from the brow of Zeus.]
[Footnote 7: _Der Subjektivität._ The mind of the artist.]
[Footnote 8: A misprint. _Der_ should be _die._]
[Footnote 9: _Zuversicht._ Confidence in itself.]
[Footnote 10: _Die Sache._ The fact, the artistic object primarily treated.]
[Footnote 11: _Die Subjektivität._ What is personal in the perception of judgment.]
[Footnote 12: A fine illustration of this passage is to be found in Miss Harrison's description of the Praxiteles Hermes in her admirable "Introductory Studies in Greek Art" (see chap, VI), a work every student of Greek Art should peruse.]
[Footnote 13: _Gediegenheit._ Sterling solidity. To understand all that is implied the above cited work of Miss Harrison is the clearest and most useful I know.]
[Footnote 14: _In Unterhaltung._ Finds himself, so to speak, directly conversing with him.]
[Footnote 15: _Der Gattungen, i.e._, specific types.]
[Footnote 16: _Das Aussereinander._ A differentiated exteriority.]
[Footnote 17: _Subjektivität_, the ideal unity that is--not so much as soul or personality.]
[Footnote 18: _Kein subjektives Inneres._ No ideal content that implies a unifying subject.]
[Footnote 19: Same expression as last note. An ideal realm in its aspect of relation to an individual soul.]
[Footnote 23: This must be taken subject to qualifications which appear further on.]
[Footnote 24: _An sich selbst subjektiv._ As essentially appertinent to the individual soul.]
[Footnote 25: _Sich entgegenheit dem Geist_, _i.e._, raises itself as a medium opposed to--or, as we should say, subservient to.]
[Footnote 26: This is obviously a reference to the false theory of light advanced by Goethe and accepted by Hegel.]