Suddenly Amélie rose from the window, and seated herself, in her impulsive way, at the organ. Her fingers touched the keys timidly at first as she began a trembling prelude of her own fantasy. In music her pent-up feelings found congenial expression. The fire kindled, and she presently burst out with the voice of a seraph in that glorious psalm, the 116th:

"'Toto pectore diligam Unice et Dominum colam, Qui lenis mihi supplici Non duram appulit aurem.

The Golden Dog — Part 94

Aurem qui mihi supplici, Non duram dedit; hunc ego Donec pectora spiritus Pulset semper, amabo.'"

The Golden Dog — Part 94

The Lady de Tilly, half guessing the truth, would not wound the susceptibilities of her niece by appearing to do so; so rose quietly from her seat and placed her arms gently round Amélie when she finished the psalm. She pressed her to her bosom, kissed her fondly, and without a word, left her to find in music relief from her high-wrought feelings. Her voice rose in sweeter and loftier harmonies to the pealing of the organ as she sang to the end the joyful yet solemn psalm, in a version made for Queen Mary of France and Scotland when life was good, hope all brightness, and dark days as if they would never come.

The Golden Dog — Part 94

The Count de la Galissonière, with a number of officers of rank in full uniform, was slowly pacing up and down the long gallery that fronted the Castle of St. Louis, waiting for the Council of War to open; for although the hour had struck, the Intendant, and many other high officials of the Colony, had not yet arrived from Beaumanoir.

The Castle of St. Louis, a massive structure of stone, with square flanking towers, rose loftily from the brink of the precipice, overlooking the narrow, tortuous streets of the lower town. The steeple of the old Church of Notre Dame des Victoires, with its gilded vane, lay far beneath the feet of the observer as he leaned over the balustrade of iron that guarded the gallery of the Château.

A hum of voices and dense sounds rose up from the market of Notre Dame and from the quay where ships and bateaux were moored. The cries of sailors, carters, and habitans in thick medley floated up the steep cliffs, pleasant sounds to the ear of the worthy Governor, who liked the honest noises of industry and labor better than all the music of the Academy.