The original building was but half the width of the present, and but two stories high. The hall could contain but 1000 persons. In the memorable fire of Tuesday, Jan. 13, 1761, Faneuil Hall was destroyed, and nothing left standing but the walls. On the 23d of the following March, the town voted to rebuild, and the State authorized a lottery, to meet the expense. There were several classes. A ticket, of the seventh class, lies before me, bearing date March, 1767, with the spacious autograph of John Hancock, at the bottom.
The building retained its primitive proportions, till 1806, when, the occasions of the public requiring its enlargement, its width was increased, from 40 to 80 feet, and a third story added. A very simple rule may be furnished, for those, who would compare the size of the present building, with that of the genuine Peter Faneuil Hall. Take a northeast view of the Hall--there are seven windows before you, in each story--run a perpendicular line, from the ground, through the centre of the middle window to the top of the belt, at the bottom of the third story--carry a straight line from that point nearly to the top of the second window, on the right, in the third story. That point is the apex of the old pediment. From that point, draw the corresponding roof line down to the belt, at the corner; and you have a profile of the ancient structure; all which is well exhibited by Dr. Snow, on the plan, in his History of Boston.
Small as the original structure may appear, when compared with the present, it was a magnificent donation, for the times. It may well be considered a munificent gift, from a single individual, in 1742, when we consider, that its repairs, in 1761, were accomplished, by the aid of the Commonwealth, and the creation of a lottery, which continued to curse the community, for several years.
Peter Faneuil was then in all his glory. How readily, by the power of Imagination, I raise him from the dead, bolt upright; with his over portly form, and features full of _bon homie_; speaking volumes, about those five pipes of amber-colored Madeira, such as his friend Delancey had; and that best book of all sorts of cookery, of a large character, for the maid's reading! There he is, at the door of his English chariot, "handsome, but nothing gaudy," with his arms thereon, and his English coachman, and his English horses, and that "strait negro lad" perched behind. I see him now, helping in Miss Mary Anne, his youngest maiden sister; and, as he ascends the steps, wrapping his cloak around him, trimmed with that identical "_scarlet cloth of the very best quality_."