[Illustration: LOW BODIES AND CURTAILED CRINOLINE.]

There is no source, perhaps, from which a clearer view of the fashions of this period, and mode of thought then entertained concerning them, could be obtained than the antiquated journal we have just quoted from. The opinions therein expressed, and the system of reasoning adopted by some of the contributors to its columns, are so singularly quaint that we cannot resist giving the reader the benefit of them. The happy vein of philosophy possessed by the writer of the following letter must have made the world a mere pleasure-garden, through which he wandered at his own sweet will, "king of the universe:"--

The Corset and the Crinoline — Part 36

"When I walk the streets I use the foregoing natural maxim (viz., that he is the true possessor of a thing who enjoys it, and not he that owns it without the enjoyment of it) to convince myself that I have a property in the gay part of all the gilt chariots that I meet, which I regard as amusements designed to delight the eye and the imagination of those kind people who sit in them gaily attired only to please me. I have a real and they only an imaginary pleasure from their exterior embellishments. Upon the same principle I have discovered that I am the natural proprietor of all the diamond necklaces, the crosses and stars, brocades and embroidered cloths which I see at a play or birthnight, as giving more natural delight to the spectator than to those who wear them; and I look on the beaux and ladies as so many paroquets in an aviary, or tulips in a garden, designed purely for my diversion. A gallery of pictures, a cabinet, or library that I have free access to, I think my own. In a word, all that I desire is the use of things, let who will have the keeping of them. By which maxim I am growing one of the richest men in Great Britain, with this difference, that I am not a prey to my own cares or the envy of others."

The Corset and the Crinoline — Part 36

The reply to the foregoing letter by a lady of fashion, written with a strong dash of satire, is equally curious in its way, as it shows the great importance attached to a pleasing and attractive exterior:--

The Corset and the Crinoline — Part 36

"SIR,--I am a lady of birth and fortune, but never knew till last Thursday that the splendour of my equipage was so beneficial to my country. I will not deny that I have dressed for some years out of the pride of my heart, but am very glad that you have so far settled my conscience in that particular that now I can look upon my vanities as so many virtues, since I am satisfied that my person and garb give pleasure to my fellow-creatures. I shall not think the three hours' business I usually devote to my toilette below the dignity of a rational soul. I am content to suffer great torment from my stays that my shape may appear graceful to the eyes of others, and often mortify myself with fasting rather than my fatness should give distaste to any man in England. I am making up a rich brocade for the benefit of mankind, and design in a little time to treat the town with a thousand pounds' worth of jewellery. I have ordered my chariot to be newly painted for your use and the world's, and have prevailed upon my husband to present you with a pair of Flanders mares, by driving them every evening round the ring. Gay pendants for my ears, a costly cross for my neck, a diamond of the best water for my finger shall be purchased, at any rate, to enrich you, and I am resolved to be a patriot in every limb. My husband will not scruple to oblige me in these trifles, since I have persuaded him, from your scheme, that pin-money is only so much money set for charitable uses. You see, sir, how expensive you are to me, and I hope you will esteem me accordingly, especially when I assure you that I am, as far as you can see me,