Now, during the first writing of the MS. a curious thing has more than once happened to me; that is to say, a character, or a situation, or even the story itself, takes the bit between its teeth, and, as far as I know, bolts. One had meant to do and to say something different, but whether it is that even in the meanest-imagined character one, so to speak, raises the devil, and cannot be held responsible for his subsequent action, or whatever the cause, this phenomenon occurs. In the terms of our first simile, this is the cuckoo’s egg in the hedge-sparrow’s nest. One sits on the thing--writes it, that is--but it is not going to be a hedge-sparrow at all, but something quite different. This has happened to me more than once, in ---- and ---- (my egotism does not go quite so far as to write the names of these obscure tales), I had definitely meant to give a different outcome. I had meant a character to be different in character, and thus to play another part. But writing I found it was not so. That character would go another way. And did. I followed faint but pursuing.

To resume. The MS. comes back from the typewriter’s, and the sickening part of the work begins. In print, somehow, the degrading stuff looks even more degraded; for print, as Hazlitt said, in more senses than one, had he known it, ‘print settles it.’ What one suspected was rather sketchy and amateur becomes indubitably so. What one thought was somewhat workmanlike appears merely slip-shod carpentering, unplaned, out of line, with screws and nails not driven home. One taps here, one whacks there; one planes down, and finds one has planed too much; one planes down, and finds one has to plane more. One thinks--and this is, perhaps, the worst of all--that A rather resembles one’s dear friend, John Smith, and ruthlessly takes all the stuff out of him, leaving an enfeebled marionette. Then, like a pin-prick to a man on fire, come the inevitable typewriter’s errors, necessitating reference to the MS. Some typewriters omit whole sentences, because they are not certain (no wonder); others rush in where angels fear to tread, with brilliant repartees of a sort undreamed of; others spell a name wrong throughout; others--and they are worse--spell it wrong occasionally. When I have time I will write an article on typewriters. They will not, after that, hold their heads so high.

The Book of Months — Part 22