Not all of her days were happy. Massart was dreadfully cross at times. He would detect the slightest flaw in the work. Once he marched a stupid boy out of the room by the ear and told him never to come back again. If she should be treated like that it would really break her heart. She would try her best to attend to all that was said and to do everything just right. Massart might storm and rage about the room, but it should not be from any neglect on her part. Altogether it was not a very lovely life. Try as hard as she could it did not always please, and some days it was really pretty tough for such a very small girl.

Another trouble came. Mother would bend over that dreadful embroidery all day long, and things did not seem so prosperous as in Nantes. Father was busy looking about for new rooms and almost before Camilla was aware of it they were ready for a change of residence.

Camilla: A Tale of a Violin — Part 26

They could not afford the rent of the rooms on the Rue St. Nicholas d'Antin, and they found cheaper quarters in a flat just under the roof in an old house on the Rue Lamartine, and up six flights of long, dark stairs.

Camilla: A Tale of a Violin — Part 26

It was a sad change from their comfortable home in sunny Nantes. There was nothing to be seen out of the windows save steep, red roofs, the sky, and sundry wild cats that roamed over the tiles. The streets thereabouts were narrow and crooked, with mean little sidewalks hardly wide enough for one.

Camilla: A Tale of a Violin — Part 26

It was not the Paris of to-day. The wide and handsome Rue de La Fayette that now passes near the Rue Lamartine and the beautiful Square Montholon with its trees and gardens was not in existence then. Camilla first knew Paris as a city of short, crowded streets lined with tall houses and cheap shops and crowded with work people and small householders.

They had only been settled in the new home a few weeks when a greater trouble came to them. The wolf began to growl in the echoing entry way of the tall house. They began to think he would climb the stairs or come in over the tiles and scare even the starved cats away.

The store of money they had brought from dear, old Nantes had melted away long ago. There was "little to earn and many to keep." M. Urso tried and tried, but could get no permanent position at any of the theatres. There were scores of flute players in the city. As for organists, there were a dozen for every organ. Once in a while he had a chance to play for a single Sunday, as a substitute. Occasionally there was a party or other gathering where a few francs could be earned by playing.