"Suppose we did another thing," began Lucia, looking out of the window. "We might get some things--in earnest, good things. They will always do for the wedding with Tista. Meanwhile, papa will of course have to change his mind, and then it will be all right."

"What genius!" cried the Signora Pandolfi. "Oh, Lucia! You have found it! And then we can just step into the workshop on our way--that will reassure your father."

Marzio's Crucifix and Zoroaster — Part 40

"Perhaps, after all, it would be better to go and tell him the truth," said Lucia, beginning to walk slowly up and down the room. "He must know it, sooner or later."

Marzio's Crucifix and Zoroaster — Part 40

"Are you mad, Lucia?" exclaimed her mother, holding up her hands in horror. "Just think how he would act if you went and faced him!"

Marzio's Crucifix and Zoroaster — Part 40

"Then why not go and find Uncle Paolo?" suggested the girl. "He will know what is best to be done, and will help us, you may be sure. Of course, he expected to see us before anything was done in the matter. But I am not afraid to face papa all alone. Besides, Tista is talking to him at this very minute. I told him all he was to say, and he has so much courage!"

"I wish I had as much," moaned the Signora Pandolfi, lapsing into hesitation.

"Come, mamma, I will decide for you," said Lucia. "We will go and find Uncle Paolo, and we will do exactly as he advises."

"After all, that is best," assented her mother, rising slowly from her seat.

Half an hour later they left the house upon their errand, but they did not enter the workshop on their way. Indeed, if they had, they would have been surprised to find that Marzio was not there, and that Gianbattista was consequently not talking to him as Lucia had supposed.

When Gianbattista reached the workshop, he was told that Marzio had only remained five minutes, and had gone away so soon as everybody was at work. He hesitated a moment, wondering whether he might not go home again and spend another hour in Lucia's company; but it was not possible to foretell whether Marzio would be absent during the whole morning, and Gianbattista decided to remain. Moreover, the peculiar smell of the studio brought with it the idea of work, and with the idea came the love of the art, not equal, perhaps, to the love of the woman but more familiar from the force of habit.