First we came to a line of little brightly coloured hovels, square boxes, many of only one room, then to a church, an ancient Spanish-Gothic church surrounded by gloomy trees. Suddenly the road turned a corner and we were almost in the middle of the town. Medina was Spanish enough. Here was the plaza at the end of which towered a high cathedral decorated with colour and with carving. The plaza lay broad and shining beneath the sunlight; loungers sprawled in the shadows beneath the small, vivid green trees, and in the deep stone arcades which edged the open square the afternoon coffee-drinkers, clad in cool white, lolled at the café tables.

In the centre of the plaza was a fountain running with water, and about it came and went a continual procession of women bearing large, white amphoras upon their hips, children carrying smaller drinking vessels, and men wheeling long, barrow-like frameworks into which many amphoras were placed. The shops and cafés were painted in gay colours which were brilliant in the sun and which contrasted pleasantly with the crude--as though painted--green of the trees and the clear, soothing hue of the sky.

Poor Folk in Spain — Part 20

I know that historical things have happened at Medina del Campo, but we are not going to retail second-hand history. To us, as living beings, it is far more important that we bought our first oily, almondy Spanish cakes here than that Santa Teresa (who started off at the age of ten years to be martyred by the Moors) founded a convent in the town.

Poor Folk in Spain — Part 20

Medina is a dead place and must be typical of Spain. It has a market, a plaza and a few ragged fringes of streets more than half full of collapsing houses, and in this gay-looking remnant of past glory are at least three enormous churches with monasteries in attendance. But even the churches are falling into ruin and the storks' nests are clustered flat on the belfries, while Hymen's debt collectors, clapping their beaks, gaze down from aloft into the empty roadways.

Poor Folk in Spain — Part 20

Sunset had played out a colour symphony in orange major by the time we had arrived back at the station where we asked for a meal; but the cadaverous, blue-jowled waiter had not laid covers for fifty in order that intrusive strangers might push in and demand food at whatever hour they chose.