Movement illustrated by High Tide, 168-171
_Muléykeh_, 272 Chesterton on, 125 as a monologue, 125-126
_My Last Duchess_, 96 illustrates elements of monologue, 96-99
Oratory and acting compared, 13, 179-181 Jefferson on, 179-180
Personal element in art, Chesterton on, 86 found in all conversation and expression, 81-88
Poetry, Aristotle on, 128 dramatic, not invented, 100 epic, 122-123
PROPERTIES, 230-247 use of, in play and monologue, 230-231 significance of, 230-231 need of generalizing, 232 Irving, Sir Henry, scenery in unity, 233 consistency in, 235 use of scenery, 236-240 must not be literal, 237 when dramatic, 238-240
_Psalm Ninetieth_, 253 a monologue, 253-255
Rhythm, first element in interpretation, 148
=RILEY, JAMES WHITCOMB=, Hoosier monologue, 129-131 Knee-deep in June, a monologue, 45 situation in, 53 _Nothin' to Say_, 46
Ring and the Book, The, proves value of monologue, 26-29 extract from, on art, 40
Sam Lawson, stories of, Mrs. Stowe, monologues, 16 illustrates nature of monologue, 248-252
Shakespeare compared with Browning, 112 his soliloquies compared to monologues, 55-57
SITUATION, PLACE AND, 64-78 dramatic, 64 monologue implies, 65 Up at a Villa--Down in the City, 65 in Browning, always definite, 71-72 changes in Grammarian's Funeral, 72 in Douglas Jerrold, 75 Andrea del Sarto (Poem, 265)
_Soliloquy of the Spanish Cloister_, 58 soliloquy compared with monologue, 56-57 Shakespeare's, 55 difference between Browning and Shakespeare, 57-61
SPEAKER, THE, in monologue, 12-30 speech and monologue compared, 101-102
=SUCKLING, SIR JOHN=, _Why so pale and wan_, 116
=TENNYSON'S= _Lady Clara Vere de Vere_, 50 a monologue, 52 many monologues, 49 not master of, 53
TIME AND CONNECTION, 78-86 abrupt beginning, 79-80 tone-color explained, 157-160
Vocal Expression nature of, 134 reveals processes of mind, 147-172 unprintable, 136 in play and monologue, 167-168
Whitman, dramatic element in his "O Captain," 120
Words complemented by tone and action, 135
=WYATT, SIR THOMAS=, The Lover's Appeal, lyric in form of monologue, 114
[1] Freytag, Technik des Dramas, chap. i, sec. 2, p. 16 (Leipzig, 1881). Translation by Prof. H. B. Lathrop.
[2] To emphasize the nature and importance of poetic form (see pp. 211, 213), "Count Gismond" and "By the Fireside" are here printed as prose. Find the length of line, the stanzas, and the metre, the meaning and appropriateness of all these. How should they be paragraphed?