In other parts of Europe, from _Faust_, which opened the nineteenth century, onward through _Les Miserables_ to _The Doll's House_ and _Resurrection_, it was the same. As, in political action, Russia hardly ceased to rebel, France freed herself three times, Ireland gave us the line of rebels from Robert Emmet to Michael Davitt, and all rebellion culminated in Garibaldi, so the most vital spirits in every literature of Europe were rebels. Perhaps it is so in all the greatest periods of word and deed. For examples, one could point rapidly to Euripides, Dante, Rabelais, Milton, Swift, Rousseau--men who have few attributes in common except greatness and rebellion. But, to limit ourselves to the familiar period of the last three or four generations, the words, thoughts, and actions most pregnant with dynamic energy have been marked with one mark. Rebellion has been the expression of a century's personality.
Of course, it is very lamentable. _Otium divos_--the rebel, like the storm-swept sailor, cries to heaven for tranquillity. It is not the hardened warrior, but only the elegant writer who, having never seen bloodshed, clamours to shed blood. All rebels long for a peace in which it would be possible to acquiesce, while they cultivated their minds and their gardens, employing the shining hour upon industry and intellectual pursuits. "I can say in the presence of God," cried Cromwell, in the last of his speeches, "I can say in the presence of God, in comparison with whom we are but poor creeping ants upon the earth,--I would have been glad to have lived under my woodside, to have kept a flock of sheep, rather than undertaken such a Government as this." Every rebel is a Quietist at heart, seeking peace and ensuing it, willing to let the stream of time glide past without his stir, dreading the onset of indignation's claws, stopping his ears to the trumpet-call of action, and always tempted to leave vengeance to Him who has promised to repay. If reason alone were his guide, undisturbed by rage he would enjoy such pleasure as he could clutch, or sit like a Fakir in blissful isolation, contemplating the aspect of eternity under which the difference between a mouse and a man becomes imperceptible. But the age has grown a skin too sensitive for such happiness. "For myself," said Goethe, in a passage I quote again later in this book, "For myself, I am happy enough. Joy comes streaming in upon me from every side. Only, for others, I am not happy." So it is that the Hound of another's Hell gives us no rest, and we are pursued by Furies not our own.