What fisherman is there who has not in his fly-book a dozen or more flies that are perennial reminders of great piscatorial events? And what angler is there who does not love to go over them at times, one by one, and recall the incidents surrounding the history of each?
We fondle the flies in our fancy, Selecting a cast that will kill, Then wait till a breeze from the canyon Has rimpled the water so still;-- Teal, and Fern, and Beaver, Coachman, and Caddis, and Herl,-- And dream that the king of the river Lies under the foam of that swirl.
There's a feather from far Tioga, And one from the Nepigon, And one from the upper Klamath That tell of battles won-- Palmer, and Hackle, and Alder, Claret, and Polka, and Brown,-- Each one a treasured memento Of days that have come and gone.
A joust of hardiest conflict With knight in times of eld Would bring a lesser pleasure Than each of these victories held. Rapids, and foam, and smother, Lunge, and thrust, and leap,-- And to know that the barbed feather Is fastened sure and deep.
Abbey, and Chantry, and Quaker, Dorset and Canada, Premier, Hare's Ear, and Hawthorne, Brown Ant, and Yellow May, Jungle-Cock, Pheasant, and Triumph, Romeyn, and Montreal, Are names that will ever linger In the sunlight of Memory Hall.
The whole field of angling literature contains nothing more exquisite than the following description of the last days of Christopher North, as written by his daughter:
"It was an affecting sight to see him busy, nay, quite absorbed with the fishing tackle scattered about the bed, propped up with pillows--his noble head, yet glorious with its flowing locks, carefully combed by attentive hands, and falling on each side of his unfaded face. How neatly he picked out each elegantly dressed fly from its little bunch, drawing it out with trembling hand along the white coverlet, and then replacing it in his pocket-book, he would tell ever and anon of the streams he used to fish in of old."
[Illustration: _Picturesque Rocks in River_]
By four o'clock the stream is hidden from the sun and the shadow of the wooded summit at your back has crossed the roadway and is climbing the heights beyond. As if moved by some signal unheard by the listener, the trout begin to feed all along the surface of the water. Leap follows or accompanies leap as far as the eye can discern up stream, and down stream to where the water breaks to the downpull of the gorge below. Select a clear space for your back-cast, wait till a cloud obscures the sun. * * * * The trout took the fly from below and with a momentum that carried him full-length into the air. But there was no turning of the body in the arc that artists love to picture. He dropped straight down as he arose and the waters closed over him with a "plop" which you learn afterward is characteristic of the rise and strike of the German trout. All this may not be observed at first, for if he is one of the big fellows, he will cut out some busy-work for you to prevent his going under the top of that submerged tree which you had not noticed before. As it was, you brought him clear by a scant hand's breadth, only to have him dive for another similar one with greater energy.