Alora formed an immediate friendship for crippled Irene Macfarlane, first based on sympathy and afterward on genuine admiration. That one condemned to pass her entire life in a wicker wheel-chair should be so bright and cheerful, with no word of protest or even a reference to her own misfortune, was deemed wonderful by Alora, and she soon found that Irene had an excuse or explanation for every seeming annoyance her friends suffered and delighted to console them. At the same time she allowed no one to console her, because she declared she needed no consolation.

Such a disposition invited confidence, and soon Irene knew more of Alora's past history, including her trials and tribulations, than even Mary Louise had yet learned, and was shocked and grieved at the girl's vengeful defiance of her father, due to his neglect and coldness as well as to his contemptible selfishness. But Irene had an excuse ready even for the artist.

Mary Louise Solves a Mystery/Chapter 16

"Poor Mr. Jones!" she said one day, when the three girls were together and had been discussing Alora's troubles; "think what a trial must have been to him to be saddled with the care of a child he had not seen since babyhood and had no especial interest in. As for affection between them, it could not sprout nor grow because there was no mutual understanding to germinate it. Your father's life, my dear, had been wrecked by his separation from your mother and the money meant little to him at that period of his life when you were left to his care. But did he refuse the obligation so inconsiderately thrust upon him? No. Although a man of reserved nature—almost a recluse—self absorbed and shrinking from association others, he accepted the care of an eleven year old child and, without being able to change his disposition to suit her requirements, has guarded her health and safety ever since."

Mary Louise Solves a Mystery/Chapter 16

"So that he can use my money," added Alora, with a shrug.

Mary Louise Solves a Mystery/Chapter 16

"But you admit that he doesn't squander money on himself."

"I don't know what he does with it. If he wants books, he buys them; he bought a rickety automobile in Italy and never took me to ride in it; but his extravagance seems to end there. I've read some letters that he left around, showing that he is investing thousands in his own name—what for, I can't guess, as he is too miserly ever to have a use for it."

"Well, he may be intending to endow some deserving charity," suggested Irene. "And, as for his not loving you, Alora, I fancy you have never tried to win your father's love."

"No one could love that man."

"You have never been able to get beneath his reserve. You came to him from a luxurious life, a petted and pampered child, and his simple tastes and unemotional nature repelled you from the first. Is it not so?"

"I'm not sure, Irene. I needed sympathy and affection. Had my father been different, had he shown love for me, or even fatherly consideration, I would have responded eagerly. But he ignored me. There has never been any companionship between us. He has guarded my personal safety because I was of financial value to him. Once, when I contracted a fever, he was really worried, and hired a skillful doctor and a trained nurse; but he never entered my sickroom. When I was well, he reproached me for costing him so much money. I told him it was my money, and he was costing me more than I could ever cost him. I reminded him he would have been a beggar, but for my income, and that shut him up at once."

"There's the whole trouble," declared Irene. "Constant friction and a lack of consideration for one another. Such remarks could not have made him more gracious toward you, Alora, and you did not appreciate his care in furnishing you with the means of recovery."

"Had I died," said the girl, "my fortune would have gone to a bunch of third-cousins whom I have never seen. That would have stopped father's right to the income, you see."

Irene sighed and Mary Louise smiled. It was almost impossible to defend Mr. Jones consistently, with Alora present to accuse him.

The artist at first took little interest in his new home. The cottage was small and not very cheerful, but it was cheap, and all that Jason Jones seemed to care for was a place to stay that was not expensive. He continued his reading and had a book in his hand from morning till night. He seldom left the cottage except for a trip to the public library or to a book-store, and never spoke to anyone unless it was necessary.