The more untrained and untutored the voice that is brought to him, the more thankfully he receives it. How joyfully does he then devote himself to his arduous task! how unwearied is his attention! how carefully and conscientiously does he watch over the treasure intrusted to him! On the other hand, he is most unwilling to under-take "repairs" and "final embellishments," which, artist-like, he confesses without disguise; and singers who, with this in view, seek the master's studio, will have but little satisfaction in his lessons. * * * * * *
But hush! hush! My gracious protectress gives me a gentle warning, and touches the magic veil we had wrapped about us. Let us obey her timely hint, nor provoke one kind spirit to anger! Farewell, good master Garcia! Heartily do we rejoice that we have listened to thee; believe me, we shall often wing our way back to thee without fairy help, even in the spirit, that we may look on thee with gratitude and admiration. And the golden and silvery sounds which thy magic power draws from young rosy lips will again flow forth and bear us on in their clear stream; the bright, pearly drops of brilliant roulades will refresh and quicken us into new life; and oh, joy! the poor troubled heart will hear no more the sharp, cutting, irreconcilable discords of the everyday world.
AN AMERICAN ARTISTE ABROAD.--Miss Adelaide Phillips, of Boston, has lately made a very successful _débût_ at Brescia (Italy), in the character of _Arsace_ in Rossini's _Semiramide_. "The public were lavish of well-merited applause," says the Italian critic. Miss Phillips first sang, as a child, at the Boston Museum. She went, about two years since, to Italy, to complete her musical education. Biscaccianti sang for her benefit, and Jenny Lind, though she refused to sing for her, it is understood, gave her $1,000, and letters of recommendation to her old teacher, Garcia. Miss Phillips is the fifth American who has, within the last few years, succeeded on the Italian stage.
TRUE HAPPINESS IN A PALACE.--Frederick William III., King of Prussia, married, in 1793, Louisa, daughter of the Duke of Mecklenburg-Strelitz. The union was one of elevated love and perfect confidence, the character of the wife presenting a combination of excellencies that dignify her sex and ennoble humanity. Among her graces, that of doing good to the poor was always in exercise. The king allowed her a certain sum for her charities, which she often exceeded, and when the treasurer informed the king of this, he had a way of gradually replenishing the drawer in her desk.