The twilight yet burned red in the sky, and painted with solemn lights the mossy walls of the little old town, as they plunged under a sombre antique gateway, and entered on a street as damp and dark as a cellar, which went up almost perpendicularly between tall, black stone walls that seemed to have neither windows nor doors. Agnes could only remember clambering upward, turning short corners, clattering down steep stone steps, under low archways, along narrow, ill-smelling passages, where the light that seemed so clear without the town was almost extinguished in utter night.

At last they entered the damp court of a huge, irregular pile of stone buildings. Here the men suddenly drew up, and Agnes's conductor, dismounting, came and took her silently from her saddle, saying briefly, "Come this way."

Agnes of Sorrento — Part 208

Elsie sprang from her seat in a moment, and placed herself at the side of her child.

Agnes of Sorrento — Part 208

"No, good mother," said the man with whom she had ridden, seizing her powerfully by the shoulders, and turning her round.

Agnes of Sorrento — Part 208

"What do you mean?" said Elsie, fiercely. "Are you going to keep me from my own child?"

"Patience!" replied the man. "You can't help yourself, so recommend yourself to God, and no harm shall come to you."

"Fear not, dear grandmamma," she said, "the blessed angels will watch over us."

As she spoke, she followed her conductor through long, damp, mouldering passages, and up flights of stone steps, and again through other long passages, smelling of mould and damp, till at last he opened the door of an apartment from which streamed a light so dazzling to the eyes of Agnes that at first she could form no distinct conception as to where she was.

As soon as her eyesight cleared, she found herself in an apartment which to her simplicity seemed furnished with an unheard-of luxury. The walls were richly frescoed and gilded, and from a chandelier of Venetian glass the light fell upon a foot-cloth of brilliant tapestry which covered the marble floor. Gilded chairs and couches, covered with the softest Genoese velvet, invited to repose; while tables inlaid with choice mosaics stood here and there, sustaining rare vases, musical instruments, and many of the light, fanciful ornaments with which, in those days, the halls of women of condition were graced. At one end of the apartment was an alcove, where the rich velvet curtains were looped away with heavy cords and tassels of gold, displaying a smaller room, where was a bed with hangings of crimson satin embroidered with gold.