There was wailing and mourning in the house of Orleans, grief and horror in the house of the King. The deed was soon known, though as yet it was only surmised that one Raoul d’Actonville, a dismissed steward, had wreaked in this ghastly fashion his spite against his master. The next day the royal princes, all in black, with a great multitude of the people of Paris, brought the murdered Duke to the church of St. Guillaume, close at hand. He who had ever loved the good through all his wickedness, lay now among the watching friars, who sang psalms and repeated vigils day and night for his soul; there he lay until they took him to be buried in his own chapel of the Celestines, which is called the Blancs-Manteaux to-day. The people followed him with torches, remembering only his gay and gracious qualities, his capricious generosity, his gentle raillery, his rhetoric and eloquence, how he had loved learning, and that he had often lived as a monk for days among the Celestines. All Paris wept, those also who had prayed Jesus Christ in heaven to deliver them from Orleans; even Burgundy went in the funeral procession, all in black, weeping also. But when the funeral was over Jean-sans-Peur took Berri and the King of Sicily aside: “I had it done. I slew him. It was an inspiration of the demon’s.”

There were two women, who were not at the burial, to whom the death of Orleans came nearer than to any mourner there. When Isabel heard that Orleans was slain she went in terror of her life. Ill as she was, she had herself carried in a litter to St. Paul’s, taking shelter there in the arms of her mad husband, and so soon as she was fit for travel the poor, light, beautiful, little Queen went out of Paris, far away from Burgundy, far, too, from that maimed and slaughtered body lying in the chapel of the Celestines. Terrified, indifferent, she could think of nothing but her own imaginary danger.

The End of the Middle Ages — Part 105

The mistress and the wife took the matter in a very different spirit. At first, in her transports of sorrow, Valentine could not act. She tore out her hair and shred her garments; she sobbed so much, that for weeks afterwards her voice was hoarse. But when the first paroxysm was over her strong Italian character centred itself upon one fixed idea—justice, vengeance for her murdered husband. Valentine had no thought of her own safety. She sent her two elder sons and her girl into Blois, and then, with the Princess Isabel and little John, her youngest child, on either hand, the Duchess of Orleans set out from Château-Thierry for Paris.

The End of the Middle Ages — Part 105