Something the Idler's character may be supposed to promise. Those that are curious after diminutive history, who watch the revolutions of families, and the rise and fall of characters either male or female, will hope to be gratified by this paper; for the Idler is always inquisitive and seldom retentive. He that delights in obloquy and satire, and wishes to see clouds gathering over any reputation that dazzles him with its brightness, will snatch up the Idler's essays with a beating heart. The Idler is naturally censorious; those who attempt nothing themselves, think every thing easily performed, and consider the unsuccessful always as criminal.

I think it necessary to give notice, that I make no contract, nor incur any obligation. If those who depend on the Idler for intelligence and entertainment, should suffer the disappointment which commonly follows ill-placed expectations, they are to lay the blame only on themselves.

The Works of Samuel Johnson in Nine Volumes — Part 121

Yet hope is not wholly to be cast away. The Idler, though sluggish, is yet alive, and may sometimes be stimulated to vigour and activity. He may descend into profoundness, or tower into sublimity; for the diligence of an Idler is rapid and impetuous, as ponderous bodies forced into velocity move with violence proportionate to their weight.

The Works of Samuel Johnson in Nine Volumes — Part 121

But these vehement exertions of intellect cannot be frequent, and he will therefore gladly receive help from any correspondent, who shall enable him to please without his own labour. He excludes no style, he prohibits no subject; only let him that writes to the Idler remember, that his letters must not be long; no words are to be squandered in declarations of esteem, or confessions of inability; conscious dulness has little right to be prolix, and praise is not so welcome to the Idler as quiet.

The Works of Samuel Johnson in Nine Volumes — Part 121

[1] The Universal Spectator in 1728, by the celebrated antiquary William Oldys.

The Female Spectator in 1744, by Eliza Haywood.

These were followed by the New Spectator in 1784; and lastly, by the Country Spectator in 1792. This last is a production of very considerable merit.

[2] This attempt was made in 1750, under the title of the Tatler Revived. After a short trial it completely failed.

--_Toto non quater anno Membranam_.--HOR. Lib. ii. Sat. iii. 1.