=BURNS=, monologues in, 117-120 _O wert thou in the cauld blast_, 118

Caliban upon Setebos, character of, 24 speaker in, 24

Browning and the Dramatic Monologue — Part 191

Character of speaker must be realized, 138

Browning and the Dramatic Monologue — Part 191

=CHESTERTON=, on personal element in story-telling, 86 on Clive and Muléykeh, 125 justifies Browning's grotesque language, 229

Browning and the Dramatic Monologue — Part 191

=CHURCHILL, J. W.=, rendering of Sam Lawson, 16

Clive, illustrates person spoken of, 54 why a monologue, 126

Connection, importance of first words to the, 79-80

=CUSHMAN, CHARLOTTE=, her rendering of monologue, 236-237

Delivery nature of, 134 important in monologue, 133-136 three languages in, complementary, 135-136

DIALECT, 222-230 must be dramatic, 222-223 in Riley, Burns, Tennyson, 223 not literal, 224-225 dramatic, 225-226 results from assimilation, 227 must express character, 228-229 part of grotesque, 229-230

=DOBSON, AUSTIN,= _Before Sedan_, 84 change of situation in, 84-86

Dooley monologues, 42 Hennessey in, 42-43

Dowden, Edward, on static dramatic, 110-111 on Muléykeh, 111

Dramatic instinct, overlooked, 31 necessary in human life, 30 listener in, 31 definition of, 103-104 illustrated by, 103-113 static dramatic, 110-111 nature of, 111-112 interprets odd moments, 156

=DRAYTON, MICHAEL= _Come, let us kiss and part_, 116

=DRUMMOND, DR.= French Canadian dialect, 129 _Dieudonné_, 225

Epic spirit, nature of, 102 in Tennyson's Ulysses, 102-103, 123 in Sir Galahad, 124

Expression, vocal, necessity of, 133-146 nature of, in the monologue, 147-172

FAULTS IN RENDERING A MONOLOGUE, 241-247 staginess, 241 monotony, cause of, 241-242 tameness, 242 declamation, 242-243 indefiniteness, 243 exaggeration, 244 cause of, false, 244-246

Flight of the Duchess, as illustration of monologue, 108-109

FORM OF LITERATURE, THE MONOLOGUE AS A, 100-115 not invented, 11-12, 100-101 Monologue, one, 100-113

Grammarian's Funeral, A, situation in, 72-73

Grotesque, nature of, 226 dramatic, importance of, 30-31 illustrations of, 33-39

HEARER, THE, 30-64 implied in dramatic art, 30-31 in monologue, necessary, 32 illustrated by Rabbi Ben Ezra, 36 in Bishop Blougram, 41-42 by Dooley and Hennessey, 43 in Riley's Nothin' to Say, 46-47 in Tennyson's Lady Clara, 50

Higginson, Col. T. W., story of Carlyle, 226

HISTORY OF THE MONOLOGUE, 113-132 in early literature, 113-116 in Burns, 117-118