My visor is Philemon's roof; within the house is Jove. —Shakspeare. The trapper, who had meditated no violence, dropped his rifle again, and laughing at the success of his experiment, with great seeming self-complacency, he drew the astounded gaze of the naturalist from the person of the savage to himself, by saying—

"The imps will lie for hours, like sleeping alligators, brooding their

deviltries in dreams and other craftiness, until such time as they see

some real danger is at hand, and then they look to themselves the same

as other mortals. But this is a scouter in his war-paint! There should

be more of his tribe at no great distance. Let us draw the truth out

of him; for an unlucky war-party may prove more dangerous to us than a

visit from the whole family of the squatter."

The Prairie/Chapter XVIII

"It is truly a desperate and a dangerous species!" said the Doctor, relieving his amazement by a breath that seemed to exhaust his lungs of air; "a violent race, and one that it is difficult to define or class, within the usual boundaries of definitions. Speak to him, therefore; but let thy words be strong in amity."

The Prairie/Chapter XVIII

The old man cast a keen eye on every side of him, to ascertain the

important particular whether the stranger was supported by any

associates, and then making the usual signs of peace, by exhibiting

the palm of his naked hand, he boldly advanced. In the mean time, the

Indian betrayed no evidence of uneasiness. He suffered the trapper to

draw nigh, maintaining by his own mien and attitude a striking air of

dignity and fearlessness. Perhaps the wary warrior also knew that, owing to the difference in their weapons, he should be placed more on an equality, by being brought nearer to the strangers.

The Prairie/Chapter XVIII

As a description of this individual may furnish some idea of the

personal appearance of a whole race, it may be well to detain the

narrative, in order to present it to the reader, in our hasty and

imperfect manner. Would the truant eyes of Alston or Greenough turn, but for a time, from their gaze at the models of antiquity, to contemplate this wronged and humbled people, little would be left for such inferior artists as ourselves to delineate.