She put back his tumbled hair, looked long into his eyes, realizing with a shock that she was looking _up_. Her little boy was gone.
“But I don’t wish May Nell away, mother, do you?”
“No, my son.” The answer was more sincere than a few weeks before she could have believed possible. The coming of the child had taken from her life many hours of association with Billy, sweet as only mothers know; yet May Nell’s influence had softened and refined Billy, enlarged his vision.
He tidied himself, bade his mother good-bye, and followed the girls to rehearsal.
Sometimes all the small meanness of everyday life is swept away by a great calamity, and the world forgets to hate, and opens its great heart of love. Such an event came through the catastrophe in San Francisco. It inclined every ear, moistened every eye. From all the world’s pocketbook came the golden dollars; from every soul the longing to do; and when it was done, disappointment because it was so little.
Vina was no exception. Ball games, church collections, children’s mite societies, girls sewing, boys running errands, each and all helped with the relief work.
When Edith planned to turn her pupils’ recital into a great Spring Festival, for the benefit of the sufferers, all the town applauded, and asked how it could help.
Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them.
All went well with the preparation; and on a glorious spring night in the full moon, the town and countryside jammed the Opera House “to its eyebrows,” Billy said, looking through the peephole in the curtain to the high window seats crowded with boys.
The operetta opened with a weird winter scene, when the Sower (Harold) sowed his grain, and the gnomes and elves set upon him; and evoked Storm King (Jimmy), Wind (Bess), and Frost (Jackson). He was the comedy of the little drama; and dressed all in black, covered with silver spangles and diamond dust, he made a joke that the wine-growers appreciated, for it is the black frosts of April they fear.