"he narrow'd his mind, And to party gave up what was meant for mankind."

He represented men as he had seen them. And he could neither repeal nor ignore the old law of human nature, in virtue of which the wisest and kindest men are more or less warped by social customs and prejudices, so that they come to do, and even to make a merit of doing, some things that are very unwise and unkind; while the wrongs and insults which they are thus led to practise have the effect of goading the sufferers into savage malignity and revenge. Had he so clothed the latter with gentle and amiable qualities as to enlist the feelings all in their behalf, he would have given a false view of human nature, and his work would have lost much of its instructiveness on the score of practical morality. For good morals can never be reached by departures from truth. A rule that may be profitably remembered by all who are moved to act as advocates and special-pleaders in what they think a good cause.

Shakespeare: His Life, Art, And Characters, Volume I. — Part 197

The leading incidents of the play are soon told. Antonio, the Merchant, has a strange mood of sadness upon him, and a parcel of his friends are bending their wits to play it off. Among them, and dearer to him than any of the rest, is one Bassanio, a gentleman who, young and generous, has lavished his fortune. Bassanio's heart is turning towards a wealthy heiress who, highly famed for gifts and virtues, resides not many miles off; and from whose eyes he has received "fair speechless messages." But he wants "the means to hold a rival place" among her princely suitors. Antonio's wealth and credit are freely pledged to his service. His funds, however, being all embarked in ventures at sea, he tries his credit with a rich Jew, whose person he has often insulted, and whose greed his Christian liberality has often thwarted. The Jew, feigning a merry humour, consents to lend the sum, provided Antonio sign a bond authorizing him, in case of forfeiture, to cut a pound of flesh from whatever part of his body he may choose. Antonio readily agrees to this, and so furnishes his friend for the loving enterprise. Bassanio prosecutes his suit to the lady with success. But, while yet in his first transports of joy, he learns that Antonio's ventures at sea have all miscarried, and that the Jew, with malignant earnestness, claims the forfeiture. Leaving his bride the moment he has sworn the sweet oath, he hastens away, resolved to save his friend's life at the expense, if need be, of his own.

Shakespeare: His Life, Art, And Characters, Volume I. — Part 197