Again the nomad woman recovered her youthful spirits enough to smile, pleased as a child to whom one shows a picture-book. How many marvelous stories, how many delightful fancies had not the Visionary conjured up for her on those waters, during the long hours of the afternoon? How many enchantments had he not known how to weave for her, to the rhythm of the oar, in words that made all things seem reality? How many times, seated beside her beloved in the light boat, had she not enjoyed that sort of waking dream in which all cares were banished, carried away on waves of poetry?

She wished to add:--This story will be the last.--But she restrained herself, because up to this time she had not spoken to him of her fixed resolution.

The Flame — Part 170

At that name, as when she heard the name of Spring, she felt her resolution weaken; the cruelty of her fate pierced her heart, and her whole being turned with yearning toward her escaping happiness.

The Flame — Part 170

"Look!" he said, pointing to the mirror-like lagoon, rippled here and there by a light breeze. "Do not those infinite lines of silence aspire to become music?"

The Flame — Part 170

Silvery-white in the calm afternoon, the estuary seemed to bear the islets on its breast as lightly as the softest clouds hung from the sky.

"Well, the master glassblower heard at Zeno's house praises of the famous organ of the King of Hungary, and cried: '_Corpo di Bacco!_ You shall see what an organ I will build, with my stick, _liquida musa canente!_ I will make the god of organs! _Dant sonitum glaucæ per stagna loquacia cannæ._ The waters of the lagoon shall give it its tone, and in it the stones, the buoys, and the fish also shall sing. _Multisonum silentium._ You shall see, by the body of Diana!' All his hearers laughed, save Giulia da Ponte--because she had black teeth! And the Sansovino gave a dissertation on hydraulic organs. But the boaster, before taking his leave, invited the company to hear his new music on the day of the Sensa, and promised that the Doge on his Bucentaur should halt in the middle of the lagoon to listen. That evening the news that Dardi Seguso had lost his senses spread to Venice, and the Council, which had a tender regard for its famous workmen, sent a messenger to Murano to learn the truth about the report. The messenger found the artisan with his sweetheart, Perdilanza, who was very loving to him because she was anxious, and feared that Dardi was insane. The master, after looking at the messenger with fiery eyes, burst into a hearty laugh, which reassured her as to his state of mind; then, quite calm again, Seguso ordered the messenger to report to the Council that, on the day of the Sensa, Venice, San Marco, the Grand Canal, and the Palace of the Doges should possess yet another miracle. On the following day, he made a formal request for the possession of one of the five little islets that circled Murano like the satellites of a planet, but have now disappeared, or have dwindled to mere sandbanks. After exploring the waters around Temòdia, Trencòre, Galbaia, Mortesina, and La Folèga, he chose Temòdia as one chooses a bride, and Perdilanza entered the shadow of affliction. Look, Fosca; perhaps even now we are passing over the memory of Temòdia. The organ-pipes are sunk deep in the mud, but they never will decay. There are seven thousand of them. We are passing over the ruins of a forest of melodious glass. How delicate the seaweed is here!"