'Ah, well,' finished the lady, philosophically, 'perhaps it is for the best. A young man _avec le coeur brisé_ is far more interesting than one who is heart-whole. There is that Laurence Sybert over there.' She nodded toward the group on the other side of the room. 'For the last ten years, when the _forestieri_ in Rome haven't had anything else to talk about, they've talked about him. And all because they think that under that manner of his he's carrying around a broken heart for the pretty little Contessa Torrenieri.'

Marcia laughed lightly. 'Mr. Sybert at least carries his broken heart easily. One would never suspect its presence.'

The Wheat Princess — Part 174

The lady's eyes rested upon her an appreciable instant before she answered: '_Che vuole?_ People must have something to talk about, and a good many girls--yes, and with _dots_--have sighed in vain for a smile from his dark eyes. Between you and me, I don't believe the man's got any heart--either broken or whole. But I mustn't be slandering him,' she laughed. 'I remember he's a friend at Casa Copley.'

The Wheat Princess — Part 174

'Mr. Sybert is my uncle's friend; the rest of us see very little of him,' Marcia returned as she endeavoured to think of a new theme. Her companion, however, saved her the trouble.

The Wheat Princess — Part 174

'And were you not surprised at Mr. Dessart's desertion?'

'Mr. Dessart's desertion?' Marcia repeated the question with a slight quiver of the eyelids.

'Exchanging Rome for Pittsburg. You Americans do things so suddenly! One loses one's breath.'

'But his father was ill and they sent for him.'

'Yes; but the surprising part is that he goes for good. The pictures and carvings and curios are packed; there is a card in the window saying the studio is for rent--he is giving up art to mine coal instead.'

Marcia laughed. 'It is a seven-league step from art to coal,' she acknowledged. 'I had thought myself that he was an artist to the end.'

'Ah--he was an artist because he was young, not because he was called, and I suppose he got tired of the play. The real artist for you--it is that poor young man painting moonlight in Venice.' The lady tapped Marcia's arm gently with her fan. 'But you and I know, Miss Copley, that Paul Dessart never went back to America just from homesickness; when a young man hasn't reached thirty yet, you may be pretty sure of finding a woman behind most of his motives.'