I therefore closed my eyes, and breathed most sonorously: the good priest drew the curtain and retired on tip-toe, and the nurse once more took her distaff, and, for her sins, was silent.
These good people must certainly think me a second Epimenides, for I have done nothing but sleep, or feign to sleep, since I have been thrown amongst them.
I have already passed four days beneath this hospitable roof. On the third, a slight fever with which I had been threatened passed off, my head was disincumbered, and on the fourth I was able to leave my bed, and to scribble thus far of my journal. Yet these kind solicitous beings will not suffer me to leave my room, and still the nurse at intervals gives me the pleasure of her society, and hums old _cronans_, or amuses me with what she calls a little _shanaos_, * as she plies her distaff; while the priest frequently indulges me with his interesting and intelligent conversation. The good man is a great logician, and fond of displaying his metaphysical prowess, where he feels that he is understood, and we diurnally go over _infinity, space_, and _duration_, with innate, simple, and complex idea, until our own are exhausted in the discussion; and then we generally relax with Ovid, or trifle with Horace and Tibullus, for nothing can be less austerely pious than this cheerful gentle being: nothing can be more innocent than his life; nothing more liberal than his sentiments.
* A term in very general use in Ireland, and is applied to a kind of genealogical chit chat, or talking over family antiquity, family anecdotes, descent, alliances, &c., to which the lower, as well as the higher order of Irish in the provincial parts are much addicted.
The Prince, too, has thrice honoured me with a visit. Although he possesses nothing of the erudition which distinguishes his all-intelligent chaplain, yet there is a peculiar charm, a spell in his conversation, that is irresistibly fascinating; and chiefly arising, I believe, from the curious felicity of his expressions, the originality of the ideas they clothe, the strength and energy of his delivery, and the enthusiasm and simplicity of his manners.
He seems not so much to speak the English language, as literally to translate the Irish; and he borrows so much and so happily from the peculiar idiom of his vernacular tongue, that though his conversation was deficient in matter, it would still possess a singular interest from its manner. But it is far otherwise, there is indeed in the uncultivated mind of this man, much of the _vivida vis anima_ of native genius, which neither time nor misfortune has wholly damped, and which frequently flings the brightest coruscations of thought over the generally pensive tone that pervades his conversation. The extent of his knowledge on subjects of national interest is indeed wonderful; his memory is rich in oral tradition, and most happily faithful to the history and antiquities of his country, which notwithstanding peevish complaints of its degeneracy, he still loves with idolatrous fondness. On these subjects he is always borne away, but upon no subject does he speak with coolness or moderation; he is always in extremes, and the vehemence of his gestures and looks ever corresponds to the energy of his expressions or sentiments. Yet he possesses an infinite deal of that _suavito in modo_, so prevailing and insinuating even among the lower classes of this country; and his natural, or I should rather say his national politeness, frequently induces him to make the art in which he supposes me to excel, the topic of our conversation. While he speaks in rapture of the many fine views this country affords to the genius of the painter, he dwells with melancholy pleasure on the innumerable ruined palaces and abbeys which lay scattered amidst the richest scenes of this romantic province: he generally thus concludes with a melancholy apostrophe: