IV. A Child of the Age, by Francis Adams.
V. The Great God Pan and the Inmost Light, by Arthur Machen, also unfinished sketch in pencil upon the back of the finished design.
IX. Women's Tragedies, by H. D. Lowry, 1895.
XI. At the First Corner, and other Stories, by H. B. Marriott Watson.
XIII. At the Relton Arms, by Evelyn Sharp.
XIV. The Girl from the Farm, by Gertrude Dix.
XV. The Mirror of Music, by Stanley V. Makower.
XVI. Yellow and White, by W. Carlton Dawe.
XVII. The Mountain Lovers, by Fiona Macleod.
XVIII. The Woman who Didn't, by Victoria Crosse.
XX. The Three Impostors, by Arthur Machen.
XXI. The British Barbarians, a hill-top novel, by Grant Allen.
XXII. Platonic Affections, by John Smith.
Design for wrapper of "Keynotes" series, John Lane, 1896.
(With the exception of No. 2 all the above Keynotes designs are the property of John Lane, Esq.)
70. THE BARBAROUS BRITISHERS, a tip-top novel, by H. D. Traill. Title-page design (the same employed for the cloth cover), comprising a portrait of Miss Ada Lundberg, the whole being a parody of the design for "The British Barbarians," _vide supra_. John Lane, 1896. (Property of John Lane, Esq.) Reproduced in "Early Work."
71. THREE HEADPIECES, two of which appeared in _St Paul's_, April 2nd, 1898, the other in the same paper, April 9th, 1898. All three republished in "Early Work." (Property of Henry Reichardt, Esq.) 1893-4.
72. WOMEN REGARDING A DEAD MOUSE. Three-quarter figure in leaden grey. Unfinished painting in oils, the only experiment the artist ever made in this medium; influenced by Walter Sickert. _c._ 1894.
73. MENU OF THE TENTH ANNUAL DINNER OF THE PLAYGOERS' CLUB IN LONDON. Two drawings, one of them only reproduced in "Early Work." January 28th, 1894.
74. LUCIAN'S TRUE HISTORY. Laurence & Sullen, privately printed, 1894. Black and white illustrations to
I. A Snare of Vintage. Reproduced in "Later Work."
Another drawing of the same subject and title, but different rendering, 6 × 4-1/2 inches, was inserted loose in large paper copies only; not noted in "Contents" page of the book.
II. Dreams. Reproduced in "Later Work." This drawing was executed obviously at the same period as "Siegfried" and "The Achieving of the Sangreal."