Michel Polnareff (born 3 July 1944) is a French singer-songwriter, who was popular in France from the mid-1960s until the early 1990s with his penultimate original album, Kāma-Sūtra. He is still critically acclaimed and occasionally tours in France, Belgium and Switzerland.

Biography and career

Resounding beginnings (1966–1973)

Michel Polnareff

Early years

Michel was born into an artistic family: his mother, Simonne Lane (1912-1973), was a Breton dancer and his father, Leib Polnareff () or (1899-1988) was a Russian Jewish immigrant from Odesa who worked with Édith Piaf. He attended the Cours Hattemer, a private school. He learned the guitar, and after his studies, military service, and a brief time in insurance, he began to play his guitar on the steps of the Sacré Cœur.

Michel Polnareff

Early successes

In 1965 Polnareff won a prize in Paris of recording at Barclay Records, but as part of the counterculture he turned down this opportunity. It was Lucien Morisse, then director at Europe 1, who made him sign with AZ. His first disc, La Poupée qui fait non (1966), was an unexpected success. Its new musical style and Polnareff's atypical image, crossed borders. During this period, he played concerts in Brussels for one week sharing the bill with Jeff Beck. In France he gained many hits such as "La Poupée qui fait non", "Love me, please love me", "Sous quelle étoile suis-je né?", "Ta-ta-ta-ta", "Âme câline" (Soul Coaxing), "Mes regrets", "Gloria", "Holidays", and "Tibili". Jimmy Page and John Paul Jones performed on hit single "Holidays".

Michel Polnareff

An atypical character

Polnareff also played with his image: black glasses, fancy trousers, and ambiguous provocations. His song L'Amour avec Toi could not be played before 10 pm because it was considered "pornographic" at the time in France (the song is mild by today's standards). From 1969 on, Polnareff was hugely successful: tours, music videos, hits. He also became the target of scandalmongers.

Depression and distance

Tragedy struck in September 1970, when his friend Lucien Morisse died by suicide. In the same time, he also suffered a relationship crisis. After a rest period in the Paris area, and long months in isolation healing from his depression, Polnareff gradually resumed touring. His health and his morale improved, but not his sight: he was forced to protect his eyes with thick, dark sunglasses. His problems didn't stop there. In 1972, a promotional poster for his 1972 Polnarevolution tour showed his naked buttocks. Although the scandal benefitted him commercially, it brought censorship and lawsuits.

Exile in the United States (1973–1984) During a world tour, he learned that Bernard Seneau, his manager, had run off with his money leaving him broke. Unable to pay his debts, and crushed by the death of his mother, he left France for the United States, where he lived in anonymity. He was joined by his friend, Annie Fargue who became his manager and stayed in this capacity for many years.

In 1975, his song Jesus for Tonight made it onto the American Billboard. He also created the soundtrack for the exploitation rape drama Lipstick (1976), which starred American model Margaux Hemingway and her sister Mariel. But his success in the United States was not as great as in France. Polnareff missed his fellow musicians and the French musical community. He developed a passion for computers. During the 1975 tour he performed in Belgium, and thousands of his French fans came over to see him. His forced exile did not prevent him from composing, and his albums had mixed success. In summer 1977, he released a new song called "Lettre à France"; it wasn't a song written for a girl called France but rather for his country that he missed a lot. The song was co-written by a friend of his, a successful writer in France, Jean-Loup Dabadie. Polnareff asked him to write lyrics, and Dabadie's idea was to write an imaginary letter to France, the country Polnareff had left. This song immediately became very popular in France.

In 1978, he released the album titled "Coucou me revoilou", which wasn't particularly successful. It was the next album called Bulles and released in 1981 that was very well received and proved that he was still hugely popular in France. In 1985, he released yet another album, "Incognito".