Trisha Ray is an independent producer, screenwriter, filmmaker, actor, editor and charcoal artist.
Trisha comes from a family of scholars, physicians and surgeons who followed art and music as a hobby. After retiring as an ObGyn, her grandfather Dr. Bimal Ray wrote three volumes of encyclopedia in Eastern Classical Music which are used by researchers all around the globe. Her parents practiced theatre after coming back from their work. She is the first in her family to actually drop out of college to intern on film sets to learn production. She is fluent in English, Spanish and Bengali languages.
Trisha is the grandniece of BAFTA nominated actress Karuna Banerjee. and niece of Universal Esperanto Association President Probal Dasgupta.
In 2022, Trisha finished the pilot episode of her 8-episode comedy series RECAST starring Lorelei Linklater, Eric Roberts Pooja Batra, San Banarje and Harry S. Murphy, and is currently in production of the season.
Films
From the age of 6, Trisha was a regular at her father's theatre rehearsals and enjoyed reading the lines of missing actors. She was cast by her father in many of his productions. He was her first acting coach who taught her Stanislavsky and Brecht, made her read Chekhov, Tolstoy, Dostoevsky and other literature that he was fond of. Although she was expected to follow the footsteps of her family members and become a doctor, she knew she would be happy only if she was writing or pursuing theatre.
During her freshman year, while in California working at a printing press, Trisha used her free time to complete her first feature-length screenplay 'Hola Armando' and decided to quit school to pursue film production. She started interning for different production companies and learned every aspect of film production from being on set as a runner or production assistant, editor's help, demonstrator of new software and technologies at mall showrooms, until she was hired by a television network as an in-house producer.
It was her experimental feature 'Flipped' that taught her a great deal about filmmaking. She was the only crew while her friends and family were cast in different roles. Due to lack of budget, she couldn't afford a sound recordist, so she dubbed the entire film and designed the sound alone. Although she refused to show it to anyone except lead actor San Banarje, the film became equivalent to several years of school for her.
In 2003, when Trisha and San tried to make a feature film called "Death, Diary and a Motel" but failed due to not having access to the kind of actors they were looking for. That's when they started their actor's studio called 'Next Actor Studio' to form a team of professional actors who, like them, would passionately pursue art for the sake of fulfillment and not just commercial benefit. They started making several shorts with the new actors and were soon able to start a program called "First Cut" where different filmmakers of the studio will present the first cut of their works to the audience and receive feedback to get it ready for festivals.
In 2007, Trisha directed her first Christian film 'Federal Case' under the banner of Boat Angels Family Film. The film written by screenwriter and evangelist Brian Stewart, was shot in Mexico and Texas and produced by San Banarje. The three of them still work together and currently making their series 'Orphan Train' with Indian actress Mahie Gill and Spanish actress Andrea Guasch.
In winter 2009, Trisha and San wrote a psychological thriller titled Bodhisattva, with Dadasaheb Phalke winner Soumitra Chatterjee in the title role. Trisha wanted to play the role of Maya, the disturbed daughter of the thespian. However director San Banarje was not convinced by Trisha's performance at the rehearsals and gave her the first day of shoot to prove herself, while looking for other actors to replace her on the second day. Her first day of shoot was opposite Soumitra Chatterjee who was playing her father Bodhisattva. To prepare for the role, she followed the Stanislavski System, with minimal contact with only her colleagues, and cutting communications with everyone else until the picture wrapped. After her first scene was shot, director San Banarje was excited by her performance and applauded her for her dedication. The entire film was shot in the home of Trisha's mother who stayed in one room with their dog until the day's shoot was over.