[36] It was performed at Covent Garden in 1813, with Mathews as Hamlet, Blanchard as the King, Liston as Ophelia, and Mrs. Liston as the Queen. It was revived in 1874 on one occasion with Mr. Odell as Hamlet, and shortly afterwards with Mr. Leonard Boyne as the Prince, both actors indulging in an imitation of Mr. Irving's performance.

The truth is, a brilliant burlesque does harm to nobody; and a bad burlesque does but recoil upon the head of its author and his exponents. Poole's "Hamlet Travestie" is marked by the best intentions, but, as a whole, it makes dreary reading. The opening colloquy between Hamlet, King Claudius, and Queen Gertrude will give, to those who have not already perused the piece, a notion of the quality of the dialogue:--

A Book of Burlesque — Part 74

_King_ (_to_ Hamlet). Cheer up, my son and cousin, never mind--

A Book of Burlesque — Part 74

_Ham._ A little more than kin, and less than kind.

A Book of Burlesque — Part 74

_King._ Why hang the clouds still on you? Come, have done.

_Ham._ You're out, my lord; I'm too much in the sun.--

_Queen._ Come, Hamlet, leave off crying; 'tis in vain, Since crying will not bring him back again. Besides, 'tis common: all that live must die-- So blow your nose, my dear, and do not cry.

_Queen._ If it be, Why seems there such a mighty fuss with thee?

_Ham._ Talk not to me of seems--when husbands die, 'Twere well if some folks seem'd the same as I. But _I_ have that within, you can't take from me-- As for black clothes--that's all my eye and Tommy.

_King._ Cheer up, my hearty; though you've lost your dad, Consider that your case is not so bad: Your father lost a father; and 'tis certain, Death o'er your great-grandfather drew the curtain. You've mourn'd enough; 'tis time your grief to smother; Don't cry: you shall be king some time or other.

_Queen._ Go not to Wittenburg, my love, I pray you.

_Ham._ Mamma, I shall in all my best obey you.

_King._ Well said, my lad! Cheer up, no more foul weather: We'll meet anon, and all get drunk together.

It was part of Poole's method to put the soliloquies into the form of songs, and so we find the lines beginning "O that this too too solid flesh would melt!" appearing in the following form:--

A ducat I'd give if a sure way I knew How to thaw and resolve my stout flesh into dew! How happy were I if no sin was self-slaughter! For I'd then throw myself and my cares in the water. Derry down, down, down, derry down.