One of the latter, Cardinal Pallavicini, surprised at the boy's assurance, beckoned to him, and said, "Will you have the goodness to tell me in confidence who you are?"

"Wolfgang Mozart of Salzburg," answered the boy.

Historic Boyhoods — Part 63

"What!" cried the Cardinal. "Are you really that famous boy of whom so many men have written to me?"

Historic Boyhoods — Part 63

Mozart bowed in assent. "And are you not Cardinal Pallavicini?" he asked in turn.

Historic Boyhoods — Part 63

"Yes," said the prelate. "Why do you ask?"

"My father and I have letters to your Eminence," said the boy, "and are anxious to wait upon you with our compliments."

The Cardinal was delighted at the boy's arrival, had a seat placed for him, and talked to him in the intermissions of the service. He complimented him on learning Italian so quickly, saying that he could speak very little German. When the music was over Wolfgang kissed the Cardinal's hand, and the latter, taking his red biretta from his head, invited the boy to make a long stay at the Papal court.

The boy was very much impressed by the music of the "Miserere," and when he left the Chapel asked where he could get a copy of it. To his dismay he was told that the music was considered so wonderful that the Papal musicians were forbidden on pain of excommunication by the Pope to take any part of the score away, or to copy it, or allow any one else to copy it.

Mozart, however, was determined to have a copy of that music, even if he had to pay the penalty of being excommunicated. He soon hit on a plan.

The next morning the boy arrived early at the Sistine Chapel, and devoted all his thought to remembering the music. It was exceedingly difficult, performed as it was by a double choir, and full of singular effects, one of which was the absence of any particular rhythm. The task of putting down such music in notes was tremendous. Yet, when Wolfgang left the Chapel he went straight home to the lodgings his father had taken, and made a sketch of the entire music. He went again on Good Friday morning, and sat with his copy hidden in his hat. In that way he corrected and completed it. When it was finished he told his father of it, and the news soon spread through Rome that this wonderful boy had actually stolen the complete score of the "Miserere" exactly as it was composed by Allegri.