[Footnote 48: _A man whose manners-- those persons_)--Ver. 393. “Cujus-- hi;” a change of number by the use of the figure Enallage.]
[Footnote 49: _I can scarce endure it_)--Ver. 400. Colman has the following remark on this passage: “Madame Dacier, contrary to the authority of all editions and MSS., adopts a conceit of her father’s in this place, and places this speech to Clitipho, whom she supposes to have retired to a hiding-place, where he might overhear the conversation, and from whence he peeps out to make this speech to Syrus. This she calls an agreeable _jeu de théâtre_, and doubts not but all lovers of Terence will be obliged to her father for so ingenious a remark; but it is to be feared that critical sagacity will not be so lavish of acknowledgments as filial piety. There does not appear the least foundation for this remark in the Scene, nor has the Poet given us the least room to doubt of Clitipho being actually departed. To me, instead of an agreeable { jeu de théâtre}, it appears a most absurd and ridiculous device; particularly vicious in this place, as it most injudiciously tends to interrupt the course of Clinia’s more interesting passion, so admirably delineated in this little Scene.”]
[Footnote 50: _It is now daybreak_)--Ver. 410. Though this is the only Play which includes more than one day in the action, it is not the only one in which the day is represented as breaking. The Amphitryon and the Curculio of Plautus commence before daybreak, and the action is carried on into the middle of the day. Madame Dacier absolutely considers it { as a fact beyond all doubt}, that the Roman Audience went home after the first two Acts of the Play, and returned for the representation of the third the next morning at daybreak. Scaliger was of the same opinion; but it is not generally entertained by Commentators.]
[Footnote 51: _How I was affected_)--Ver. 436. “Ut essem,” literally, “How I was.”]
[Footnote 52: _If a satrap_)--Ver. 452. “Satrapa” was a Persian word signifying “a ruler of a province.” The name was considered as synonymous with “possessor of wealth almost inexhaustible.”]
[Footnote 53: _In tasting only_)--Ver. 457. “Pytiso” was the name given to the nasty practice of tasting wine, and then spitting it out; offensive in a man, but infinitely more so in a woman. It seems in those times to have been done by persons who wished to give themselves airs in the houses of private persons; at the present day it is probably confined to wine-vaults and sale-rooms where wine is put up to auction, and even there it is practiced much more than is either necessary or agreeable. Doubtless Bacchis did it to show her exquisite taste in the matter of wines.]